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Journal of Cultural Economics
1996 - 2013
Edited by Michael J. Rushton and Sam Cameron
from Springer Series data maintained by Guenther Eichhorn ().
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Volume 37, issue 1 , 2013
Preface pp. 1-1
Kathryn Graddy
Municipal elections and cultural expenditure pp. 3-32
Bernardino Benito , Francisco Bastida and Cristina Vicente
Black notes and white noise: a hedonic approach to auction prices of classical music manuscripts pp. 33-60
Patrick Georges and Aylin Seckin
Diversity in teams and the success of cultural products pp. 61-86
Brinja Meiseberg and Thomas Ehrmann
Determinants of cultural and popular celebration attendance: the case study of Seville Spring Fiestas pp. 87-107
María Palma , Luis Palma and Luis Fernando Aguado Quintero
Effects of culture on firm risk-taking: a cross-country and cross-industry analysis pp. 109-151
Roxana Mihet
Volume 36, issue 4 , 2012
Tribal art market: signs and signals pp. 289-308
Guido Candela , Massimiliano Castellani and Pierpaolo Pattitoni
An hedonic analysis of American collectable comic-book prices pp. 309-326
John Wyburn and Paul Roach
Toward a political economy of World Heritage pp. 327-352
Enrico Bertacchini and Donatella Saccone
Cindy Hing-Yuk Wong: Film festivals: culture, people, and power on the global screen pp. 353-356
Mar Diestro-Dópido
Volume 36, issue 3 , 2012
Competition among movie theaters: an empirical investigation of the Toho–Subaru antitrust case pp. 179-206
Mitsuru Sunada
Spatial competition and market share: an application to motion pictures pp. 207-225
Darlene Chisholm and George Norman
The effects of having more than one good reputation on distributor investments in the film industry pp. 227-248
Joris Ebbers and Nachoem Wijnberg
The relationship between reviewer judgments and motion picture success: re-analysis and extension pp. 249-283
Thorsten Hennig-Thurau , André Marchand and Barbara Hiller
Brian Moeran and Jesper Strandgaard Pedersen (eds): Negotiating values in the creative industries: fairs, festivals and competitive events pp. 285-288
Samuel Cameron
Volume 36, issue 2 , 2012
A count data travel cost model of theatre demand using aggregate theatre booking data pp. 91-112
K. Willis , J. Snowball , C. Wymer and José Grisolía
A latent class model of theatre demand pp. 113-139
José Grisolía and Kenneth Willis
Movie stars and box office revenues: an empirical analysis pp. 141-166
Randy Nelson and Robert Glotfelty
Mark Blaug (1927–2011) pp. 167-170
William Baumol
Steven J. Tepper: Not here, not now, not that! Protest over art and culture in America pp. 171-174
Kim OOSTERLINCK
Richard T. Carson: Contingent valuation: a comprehensive bibliography and history pp. 175-177
Jen Snowball
Volume 36, issue 1 , 2012
Cultural goods, cultivation of taste, satisfaction and increasing marginal utility during vacations pp. 1-26
Marco Alderighi and Eleonora Lorenzini
Recognition and renown, the structure of cultural markets: evidence from French poetry pp. 27-48
Sébastien Dubois
Lead–lag relationship between household cultural expenditures and business cycles pp. 49-65
Masaki Katsuura
The value of a good reputation online: an application to art auctions pp. 67-85
José Canals-Cerdá
Lambert Zuidervaart: Art in public: politics, economics, and a democratic culture pp. 87-90
Byung-Hee Soh
Volume 35, issue 4 , 2011
How cultural organizations’ size and funding influence innovation and performance: the case of museums pp. 247-266
Carmen Camarero , Mª Garrido and Eva Vicente
DVD sales and the R-rating puzzle pp. 267-286
David Lang , David Switzer and Brandon Swartz
Age–price profiles for Canadian painters at auction pp. 287-308
Douglas Hodgson
Noah Horowitz: Art of the deal: contemporary art in a global financial market pp. 309-313
Benjamin R. Mandel
Lucien Karpik: Valuing the unique. The economics of singularities pp. 315-317
Michael Hutter
Victor Ginsburgh and Shlomo Weber: How many languages do we need? The economics of linguistic diversity pp. 319-321
C. Hjorth-Andersen
Volume 35, issue 3 , 2011
Factors that influence programming decisions of US symphony orchestras pp. 167-184
Jeffrey Pompe , Lawrence Tamburri and Johnathan Munn
Baumol’s cost disease, efficiency, and productivity in the performing arts: an analysis of german public theaters pp. 185-201
Anne-Kathrin Last and Heike Wetzel
The political economy of cultural spending: evidence from Italian cities pp. 203-231
Chiara Dalle Nogare and Matteo Maria Galizzi
James O. Young: Cultural appropriation and the arts pp. 233-236
Marianna Bicskei
David Throsby: The economics of cultural policy pp. 237-240
Lyudmila Petrova
Paul Stoneman: Soft innovation: economics, product aesthetics and creative industries pp. 241-245
Stuart Cunningham
Volume 35, issue 2 , 2011
The impact of the Droit de Suite in the UK: an empirical analysis pp. 81-100
Chanont Banternghansa and Kathryn Graddy
Demand analysis of hit music in Japan pp. 101-117
Sumiko Asai
Critic power or star power? The influence of hallmarks of quality of motion pictures: an experimental approach pp. 119-135
Ana Suárez-Vázquez
A test of Rosen’s and Adler’s theories of superstars pp. 137-161
Nela Filimon , Jordi López-Sintas and Carlos Padrós-Reig
Ruth Towse: A textbook of cultural economics pp. 163-166
Julia Lowell
Volume 35, issue 1 , 2011
Analysis of the consumption of artistic-cultural goods and services in Brazil pp. 1-18
Sibelle Diniz and Ana FlÁvia Machado
Live and prerecorded popular music consumption pp. 19-48
Juan Montoro-Pons and Manuel Cuadrado-García
Evaluating individual preferences for the British Museum pp. 49-75
Shabbar Jaffry and Alexandros Apostolakis
Anthony S. Rausch: Cultural commodities in Japanese rural revitalization; Tsugaru Nuri Lacquerware and Tsugaru Shamisen pp. 77-80
Robert Kloosterman
Volume 34, issue 4 , 2010
Why culture attracts and resists economic analysis pp. 245-259
Gillian Doyle
Superstars and heavy tails in recorded entertainment: empirical analysis of the market for DVDs pp. 261-279
W. D. Walls
Price determinants and genre effects in the Korean art market: a partial linear analysis of size effect pp. 281-297
Joonwoo Nahm
Modeling the appeal of movie features to demographic segments of theatrical demand pp. 299-315
Ignacio Redondo and Morris Holbrook
Volume 34, issue 3 , 2010
How do theatrical box office revenues affect DVD retail sales? Australian empirical evidence pp. 159-179
Jordi Mckenzie
Culture-sensitive tourists are more price insensitive pp. 181-195
Juan L. Nicolau
Expert judgements and the demand for novels in Flanders pp. 197-218
John Ashworth , Bruno Heyndels and Kristien Werck
Superstar effects on royalty income in a performing rights organization pp. 219-236
Ivan Pitt
William A. Jackson: Economics, culture and social theory pp. 237-240
John Bryan Davis
Tom O’Malley and Janet Jones (Eds): The Peacock Committee and UK broadcasting policy pp. 241-243
Chris Hand
Volume 34, issue 2 , 2010
The efficiency of German public theaters: a stochastic frontier analysis approach pp. 89-110
Anne-Kathrin Last and Heike Wetzel
Attitudes of the cultural tourist: a latent segmentation approach pp. 111-129
Juan Pulido-Fernández and Marcelino Sánchez-Rivero
Product differentiation and film-programming choice: do first-run movie theatres show the same films? pp. 131-145
Darlene Chisholm , Margaret McMillan and George Norman
Kong L. and O’Connor J. (Eds): Creative economies, creative cities, Asian European perspectives pp. 147-150
Roberta Comunian
Marco Bevolo: The golden crossroads—multidisciplinary findings for business success from the worlds of fine arts, design and culture pp. 151-153
Wilfred Dolfsma
David Galenson, Conceptual revolutions in twentieth-century art pp. 155-158
Michael Hutter
Volume 34, issue 1 , 2010
Determinants of historic and cultural landmark designation: why we preserve what we preserve pp. 1-26
Douglas S. Noonan and Douglas James Krupka
Moral rights protection for the visual arts pp. 27-44
Melissa Boyle , Stacy Nazzaro and Debra O’Connor
Commercial success and artistic recognition of motion picture projects pp. 45-80
Allègre Hadida
Marjorie Garber, Patronizing the Arts pp. 81-84
Steven Tepper
D. Paul Schafer: Revolution or Renaissance: Making the Transition from an Economic Age to a Cultural Age pp. 85-87
David Throsby