Journal of Cultural Economics

1996 - 2009

Edited by Michael J. Rushton and Sam Cameron

from Springer
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Volume 33, issue 3, 2009

Investigating how the attributes of live theatre productions influence consumption choices using conjoint analysis: the example of the National Arts Festival, South Africa pp. 167-183

K. Willis and J. Snowball

Economic valuation of a contemporary art museum: correction of hypothetical bias using a certainty question pp. 185-199

Ana Bedate, Luis Herrero and José Sanz

Artistic styles: revisiting the analysis of modern artists’ careers pp. 201-232

Christiane Hellmanzik

Don Thompson: The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art pp. 233-237

Kathryn Graddy

Volume 33, issue 2, 2009

Full-income and price elasticities of demand for German public theatre pp. 85-108

Marta Zieba

Intellectual property rights and U.S. information goods exports: the role of imitation threat pp. 109-134

Yungho Weng, Chih-Hai Yang and Yi-Ju Huang

Perpetual options: revisiting historical returns on paintings pp. 135-149

Carlos A. Ulibarri

Edward M. Clift (ed): How Language is Used to do Business: Essays on the Rhetoric of Economics pp. 151-155

Cyril Mbatha

Steven J. Tepper and Bill Ivey (eds), Engaging Art: The Next Great Transformation of American’s Cultural Life pp. 157-160

Thomas Smith

Tania Voon, Cultural Products and the World Trade Organization pp. 161-165

J. Singh

Volume 33, issue 1, 2009

How do class, status, ethnicity, and religiosity shape cultural omnivorousness in Israel? pp. 1-17

Tally Katz-Gerro, Sharon Raz and Meir Yaish

An empirical analysis of political activity in Hollywood pp. 19-47

Todd Kendall

Broadway productions and the value of a Tony Award pp. 49-68

Melissa Boyle and Lesley Chiou

Diana Barrowclough and Zeljka Kozul-Wright (eds): Creative Industries and Developing Countries: Voice, Choice and Economic Growth pp. 69-73

Komlan Agbo

Shepherd, Robert J., When Culture Goes to Market: Space, Place, and Identity in an Urban Marketplace pp. 75-77

James Carrier

Xavier Greffe, Artistes et marchés pp. 79-83

Sophie Ragot

Volume 32, issue 4, 2008

Editorial pp. 241-242

Sam Cameron and Michael Rushton

Why has cultural economics ignored copyright? pp. 243-259

Ruth Towse

Why everything has changed: the recent revolution in cultural economics pp. 261-273

Tyler Cowen

Revisiting tax subsidies for cultural institutions pp. 275-279

Alan Feld

Arts policy research for the next 25 years: a trajectory after Patrons Despite Themselves pp. 281-291

Michael O’Hare

Who pays? Who benefits? Who decides? pp. 293-300

Michael Rushton

Failure to meet the reserve price: the impact on returns to art pp. 301-320

Alan Beggs and Kathryn Graddy

Michael Hutter and David Throsby (eds): Beyond Price. Value in Culture, Economics and the Arts pp. 321-324

Olav Velthuis

Volume 32, issue 3, 2008

Social network markets: a new definition of the creative industries pp. 167-185

Jason Potts, Stuart Cunningham, John Hartley and Paul Ormerod

Analyzing repeat consumption of identical cultural goods: some exploratory evidence from moviegoing pp. 187-199

Alan Collins, Chris Hand and Maggie Linnell

Purchasing power parity and cultural convergence: evidence from the global video games market pp. 201-214

Joe Cox

Perverse outcomes of intense competition in the popular arts and its implications for product quality pp. 215-224

Joshua Frank

Jim Heilbrun (1925–2008) pp. 225-226

Charles Gray

Dick Netzer (1929–2008) pp. 227-229

Bruce Seaman

Greg Richards (ed): Cultural Tourism: Global and Local Perspectives pp. 231-236

Bruce Seaman

Philip Cooke and Luciana Lazzeretti (eds): Creative Cities, Cultural Clusters and Local Economic Development pp. 237-240

Frank van Oort

Volume 32, issue 2, 2008

Art versus commerce in the movie industry: a Two-Path Model of Motion-Picture Success pp. 87-107

Morris Holbrook and Michela Addis

Can public arts education replace arts subsidization? pp. 109-126

Luc Champarnaud, Victor A. Ginsburgh and Philippe Michel

Determining heterogeneous behavior for theater attendance pp. 127-151

Victoria M. Ateca-Amestoy

J. Mark Schuster (1951–2008) pp. 153-154

Lluis Bonet

Elizabeth Currid, The Warhol Economy, How Fashion Art & Music Drive New York City pp. 155-157

Simon Roodhouse

Françoise Benhamou, Les dérèglements de l’exception culturelle pp. 159-162

Pierre-Jean Benghozi

B. T. Hoffman (ed): Art and Cultural Heritage: Law, Policy and Practice pp. 163-166

Lawrence Rothfield

Volume 32, issue 1, 2008

Editorial pp. 1-1

Michael Rushton

Characteristics of Italian art restoration firms and factors influencing their adoption of laser technology pp. 3-34

Chiara Verbano, Karen Venturini, Giorgio Petroni and Anna Nosella

The impact of ‘central places’ on spatial spending patterns: evidence from Flemish local government cultural expenditures pp. 35-58

Kristien Werck, Bruno Heyndels and Benny Geys

Are workers in the cultural industries paid differently? pp. 59-77

Cecile Wetzels

Victor A. Ginsburgh and David Throsby (eds): Handbook of the Economics of Art and Culture, Vol. 1 pp. 79-81

Michael Rushton

Eric L. Jones, Cultures Merging: A Historical and Economic Critique of Culture pp. 83-86

Arthur Webb

Volume 31, issue 4, 2007

Two games in town: a comparison of dealer and auction prices in contemporary visual arts markets pp. 247-261

Michael Hutter, Christian Knebel, Gunnar Pietzner and Maren Schäfer

The law of one price, noise and “irrational exuberance”: the auction market for Picasso prints pp. 263-277

James Pesando and Pauline M. Shum

Fiscal pressures, institutional context, and constituents: a dynamic model of states’ arts agency appropriations pp. 293-310

Douglas S. Noonan

Assessing cultural values: developing an attitudinal scale pp. 311-335

Andy Sungnok Choi, Franco Papandrea and Jeff W Bennett

Fiona MacMillan and Kathy Bowery (eds), New Directions in Copyright Law: Volume 3 pp. 337-341

Mary Riley

Volume 31, issue 3, 2007

Does film criticism affect box office earnings? Evidence from movies released in the U.S. in 2003 pp. 171-186

Timothy King

Determinants of music copyright violations on the university campus pp. 187-204

Eric P. Chiang and Djeto Assane

A discrete choice model of consumption of cultural goods: the case of music pp. 205-234

Donata Favaro and Carlofilippo Frateschi

Chris Anderson, The Long Tail: How Endless Choice is Creating Unlimited Demand. The New Economics of Culture and Commerce pp. 235-237

Chr. Hjorth-Andersen

Fréderic Martel, De la Culture en Amérique pp. 239-241

Philippe Ravanas

Philippe Agid and Jean Claude Tarondeau, L’Opéra de Paris: Gouverner une grande institution culturelle pp. 243-245

Philippe Ravanas

Volume 31, issue 2, 2007

How should cultural diversity be measured? An application using the French publishing industry pp. 85-107

Françoise Benhamou and Stéphanie Peltier

Geographic clustering of economic activity: The case of prominent western visual artists pp. 109-128

Elish Kelly and John O’Hagan

Quality, service level, or empire: which is the objective of the nonprofit arts firm? pp. 129-142

Arthur Brooks and Jan Ondrich

The effects of gallery and artist reputation on prices in the primary market for art: a note pp. 143-153

Susanne Schönfeld and Andreas Reinstaller

Selection models in the music industry: Comment pp. 155-158

Thomas More Smith

Selection models in the music industry: reply pp. 159-162

Andrea Ordanini

Simon Roodhouse, Cultural Quarters: Principles and Practice pp. 163-165

John O’Hagan

Richard A. Lanham, The Economics of Attention: Style and Substance in the Age of Information pp. 167-169

T. Cowen

Volume 31, issue 1, 2007

Editorial pp. 1-1

Michael Rushton

The sales effect of word of mouth: a model for creative goods and estimates for novels pp. 5-23

Jonathan Beck

Programmatic choices and the demand for theatre: the case of Flemish theatres pp. 25-41

Kristien Werck and Bruno Heyndels

The impact of film reviews on the box office performance of art house versus mainstream motion pictures pp. 43-63

Gerda Gemser, Martine Oostrum and Mark Leenders

eBay auctions for Third Eye Blind concert tickets pp. 65-78

Dennis Halcoussis and Timothy Mathews

Tönu Puu: 2006, Arts, Sciences and Economics pp. 79-81

Harry Chartrand

William Faircy Condee: 2005, Coal and Culture: Opera Houses in Appalachia pp. 83-84

Guldem Gokcek