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Journal of Cultural Economics
1996 - 2012
Edited by Michael J. Rushton and Sam Cameron
from Springer
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Volume 26, issue 4 , 2002
More Means Worse: Asymmetric Information, Spatial Displacement and Sustainable Heritage Tourism pp. 245-260 Silvia Caserta and Antonio Russo Museum Assessment and FDH Technology: Towards a Global Approach pp. 261-286 François Mairesse and Philippe VANDEN EECKAUT Determinants of Public Cultural Expenditures: An Exploratory Time Series Analysis for Austria pp. 287-306 Michael Getzner Research Note: Iterative Bid Design in Contingent Valuation and the Estimation of the Revenue Maximising Price for a Cultural Good pp. 307-324 K.G. Willis Book Review: David W. Galenson, Painting outside the Lines: Patterns of Creativity in Modern Art pp. 325-327 Robert Burton Ekelund Volume 26, issue 3 , 2002
Maledizione! or the Perilous Prospects of Beethoven's Patrons pp. 167-184 Hilda Baumol and William Baumol Quality Judgements and Demand for French Public Theatre pp. 185-202 Daniel Urrutiaguer Canadian versus American Art: What Pays Off and Why pp. 203-216 Calin Valsan Demand for Live Theater with Market Segmentation and Seasonality pp. 217-235 Jonathan Corning and Armando Levy Nathalie Moureau, Analyse économique de la valeur des biens d'art: La peinture contemporaine pp. 237-239 Olivier CHANEL Malcolm Goldstein, Landscape with Figures, a History of Art Dealing in the United States pp. 239-241 Martha White Paas Ruth B. Phillips and Christopher B. Steiner (eds.), Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds pp. 241-244 Neil De Marchi Volume 26, issue 2 , 2002
Valuing the Arts: A Contingent Valuation Approach pp. 87-113 Eric Thompson , Mark Berger , Glenn C Blomquist and Steven Allen The Consumption of Cultural Products: An Analysis of the Spanish Social Space pp. 115-138 Jordi Sintas and Ercilia Álvarez Cost-Benefit Analysis Using Economic Surpluses: A Case Study of a Televised Event pp. 139-156 Aliza Fleischer and Daniel Felsenstein Joni M. Cherbo and Margaret J. Wyszomirski (eds.), The Public Life of the Arts in America pp. 157-160 Bruce Seaman Gigi Bradford, Michael Gary and Glenn Wallach (eds.), The Politics of Culture – Policy Perspectives for Individuals, Institutions, and Communities pp. 161-163 John O'Hagan Joseph L. Sax, Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures pp. 163-166 J. Schuster Volume 26, issue 1 , 2002
Determinants of Prices for Contemporary Art in Dutch Galleries, 1992–1998 pp. 1-28 Merijn Rengers and Olav Velthuis The Determinants of Artistic Innovation: Bringing in the Role of Organizations pp. 29-52 Xavier Castañer and Lorenzo Campos The Distribution and Predictability of Cinema Admissions pp. 53-64 Chris Hand The Sculpture Market: An Adjacent Year Regression Index pp. 65-78 Marilena Locatelli and Roberto Zanola Bruno S. Frey, Arts & Economics: Analysis & Cultural Policy pp. 79-81 Stefan Toepler Richard E. Caves, Creative Industries: Contracts between Art and Commerce pp. 82-84 Michael Rushton Volume 25, issue 4 , 2001
The Law and Economics of Artists' Inalienable Rights pp. 243-257 Michael Rushton Royalties for Artists versus Royalties for Authors and Composers pp. 259-281 Henry Hansmann and Marina Santilli What Has the Visual Artist's Rights Act of 1990 Accomplished? pp. 283-306 William M. Landes The Evolution of Free-Lance Music Composition, 1650–1900 pp. 307-319 F. Scherer Volume 25, issue 3 , 2001
Stardom and the Profitability of Film Making: Warner Bros. in the 1930s pp. 157-184 Michael Pokorny and John Sedgwick The Supply of Arts Labour: Towards a Dynamic Approach pp. 185-201 Maurizio Caserta and Tiziana Maria Cuccia A Model of Translations pp. 203-217 Chr. Hjorth-Andersen In Search of Stylized Facts on Art Market Prices: Evidence from the Secondary Market for Prints and Drawings in Italy pp. 219-231 Guido Candela and Antonello Eugenio Scorcu Peter Boorsma, Annemoon van Hemel, and Niki van der Wielen (eds.): Privatisation and Culture: Experiences in the Arts, Heritage and Cultural Industries in Europe pp. 233-235 Ilde Rizzo Dennis R. Judd and Susan S. Fainstein (eds.): The Tourist City pp. 235-238 Pascal Tremblay Volume 25, issue 2 , 2001
The Double Public Good: A Conceptual Framework for ``Shared Experience'' Values Associated with Heritage Conservation pp. 77-89 Karin Sable and Robert Kling Explaining Post-War Cinema Attendance in Great Britain pp. 91-108 Peter Macmillan and Ian Smith Efficiency and Inefficiency in the Ranking in Competitions: the Case of the Queen Elisabeth Music Contest pp. 109-129 Herbert Glejser and Bruno Heyndels Valuing the Benefits of Cleaning Lincoln Cathedral pp. 131-148 Marilena Pollicino and David James Maddison A Correction to Hilda and William Baumol's paper The Future of the Theatre and the Cost Disease of the Arts pp. 149-150 James Heilbrun Tyler Cowen, What Price Fame? pp. 151-154 Sherwin Rosen Neil de Marchi and Crauford D.W. Goodwin (eds.), Economic Engagements with Art pp. 154-155 Mark Blaug Volume 25, issue 1 , 2001
Private or Public? pp. 1-20 Merijn Rengers and Erik Plug Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property pp. 21-45 Timothy King The Court's System of Incentives and the Socio-Economic Status of Court Musicians in the Late 16th Century pp. 47-62 Peter Tschmuck Empirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/98 pp. 63-72 James Heilbrun Frances Stonor Saunders (ed.): The Cultural Cold War: The CIA and the World of Arts and Letters pp. 73-75 William Baumol and Hilda Baumol Volume 24, issue 4 , 2000
Public Funding of Controversial Art pp. 267-282 Michael Rushton The ``Death-Effect'' in Art Prices: A Demand-Side Exploration pp. 283-300 Robert Burton Ekelund , Rand Ressler and John Watson The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period pp. 301-319 Francoise Benhamou Market Concentration Levels in the U.S. Consumer Book Industry: 1995–1996 pp. 321-336 Albert Greco Colin George Hoskins, Stuart McFadyen, and Adam Finn: 1998, Global Television and Film: An Introduction to the Economics of the Business pp. 337-340 Keith Acheson Keith Acheson and Christopher Maule: 1999, Much Ado About Culture: North American Trade Disputes pp. 340-342 Steven Globerman James T. Hamilton: 1998, Channeling Violence: The Economic Market for Violent Television Programming pp. 342-343 Stuart McFadyen Volume 24, issue 3 , 2000
Contingent Valuation of a Cultural Public Good and Policy Design: The Case of ``Napoli Musei Aperti'' pp. 181-204 Walter Santagata and Giovanni Signorello Why Do Companies Sponsor Arts Events? Some Evidence and a Proposed Classification pp. 205-224 John O'Hagan and Denice Harvey Corporate Support for Artistic and Cultural Activities: What Determines the Distribution of Corporate Giving? pp. 225-241 Mark LeClair and Kelly Gordon Win, Place or Show: Gauging the Economic Success of the Renoir and Barnes Art Exhibits pp. 243-255 Dick Stanley , Judy Rogers , Sandra Smeltzer and Luc Perron Sir Alan Peacock (ed.), Does The Past Have a Future? The Political Economy of Heritage; Michael Hutter and Ilde Rizzo (eds.), Economic Perspectives on Cultural Heritage pp. 257-260 Rosemary Clarke J. Mark Schuster with John de Monchaux and Charles A. Riley II (eds.), Preserving the Built Heritage: Tools for Implementation pp. 260-262 Peter Johnson Steven J. Ross, Working-Class Hollywood: Silent Film and the Shaping of Class in America pp. 262-265 Sheila Petty Volume 24, issue 2 , 2000
The Careers of Modern Artists pp. 87-112 David Galenson The Dynamics of Chart Success in the U.K. Pre-Recorded Popular Music Industry pp. 113-134 Eric Albert Strobl and Clive Tucker Rational Philanthropy and Cultural Capital pp. 135-146 Carlos A. Ulibarri Are Popular and Classical Music Listeners the Same People? pp. 147-164 Juan Prieto-Rodriguez and Víctor Fernández-Blanco John W. O'Hagan, The State and the Arts: An Analysis of Key Economic Policy Issues in Europe and the United States pp. 165-167 Michael Rushton Andrew L. Pincus, Tanglewood: The Clash Between Tradition and Change pp. 167-170 Arthur Brooks Volume 24, issue 1 , 2000
The Economics of Monomedia and Cross-Media Expansion: A Study of the Case Favouring Deregulation of TV and Newspaper Ownership in the U.K pp. 1-26 Gillian Doyle A Model of the Danish Book Market pp. 27-43 Chr. Hjorth-Andersen Programmatic Risk-Taking by American Opera Companies pp. 45-63 J. Pierce The One-Man Band by the Quick Lunch Stand: Modeling Audience Response to Street Performance pp. 65-77 Roland Kushner and Arthur C. Brooks John Pick and Malcolm Anderton, Building Jerusalem. Art, Industry and the British Millennium pp. 79-82 Sara Selwood Peter Goodwin, Television under the Tories. Broadcasting Policy 1979–1997 pp. 82-84 Sir Peacock
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