Working Papers

From Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies.
Contact information at EDIRC.
Bibliographic data for series maintained by Bobray Bordelon ().

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49: Our Ancestors, Our Heroes: Saudi Tribal Campaigns to Suppress Historical Docudramas

Nadav Samin

48: Spirit in the Flesh: Physical Engagement and the Creation of Meaning

Anne Hege

47: Birth of the Auteur: How the Studio Production Process Kept the Director both In and Under Control

Ronny Regev

46: The Stories of Serenade: Nonprofit History and George Balanchine's First Ballet in America

James Steichen

45: Nature, Architecture, National Regeneration:The Airing Out of French Youth in Open-Air Schools 1918-1939

Gina Greene

44: From the Pulps to the Stars: The Making of the American Science Fiction Magazine, 1923-1973

David Reinecke

42: Gender and Highbrow Cultural Participation in the United States

Angele Christin

41: Acoustic Projection and the Politics of Sound

Seth Cluett

40: Omnivores Versus Snobs? Musical Tastes in the United States and France

Angele Christin

39: Rules of Engagement: Architecture Theory and the Social Sciences in Frank Duffy's 1974 Thesis on Office Planning

Branden Hookway

38: Heritage Kinaesthetics: Local Constructivism of UNESCO's Intangible-Tangible Politics at a Favela Museum

Nadezhda Dimitrova Savova

37: The Diffusion of Foreign Cultural Products: The Case Analysis of Japanese Comics (Manga) Market in the US

Takeshi Matsui

36: Like It Was a Movie: Cinematic Listening as Public Art

Betsey Biggs

35: Moving Immovables: How culinary and performative kinesthetics choreograph space in Cuba and Brazil

Nadezhda Savova

34: A New Framing? Constitutional Representation at Philadelphia's National Constitution Center

Mariah Zeisberg

32: Social Capital and Cultural Participation: Spousal Influences on Attendance at Arts Events

Craig Upright

31: Information Inequality and Network Externalities: A Comparative Study of the Diffusion of Television and the Internet

Paul DiMaggio and Joseph Cohen

30: Nonprofit Organizations and the Intersectoral Division of Labor in the Arts

Paul DiMaggio

29: From Unequal Access to Differentiated Use: A Literature Review and Agenda for Research on Digital Inequality

Paul DiMaggio, Eszter Hargittai, Coral Celeste and Steven Shafer

28: The Measure of Meetings: Forums, Deliberation, and Cultural Policy

Steven Tepper and Stephanie Hinton

27: The Influence of Ownership on the Valence of Media Content: The Case of Movie Reviews

Gabriel Rossman

26: Who Killed the Travelin' Soldier: Elites, Masses, and Blacklisting of Critical Speakers

Gabriel Rossman

24: Have Americans' Attitudes Become More Polarized? an Update

John Evans

23: Culture, Conflict and Community: Rituals of Protest or Flairs of Competition

Steven Tepper

22: A Study of the Choreographer/Composer Collaboration

Van Stiefel

21: Creative Assets and the Changing Economy

Steven Tepper

20: How the Arts Impact Communities: An introduction to the literature on arts impact studies

Joshua Guetzkow

19: Digital Technology and Cultural Policy

Kieran Healy

18: Don't Confuse a Tool with a Goal: Making Information Technology Serve Higher Education, Rather Than the Other Way Around

Stanley Katz

17: Social Implications of the Internet

Paul DiMaggio, Eszter Hargittai, W. Russell Neuman and John Robinson

16: The Role of Religion in Public Conflicts over the Arts in the Philadelphia Area, 1965-1997

Paul DiMaggio, Wendy Cadge, Lynn Robinson and Brian Steensland

15: From the 'Digital Divide' to 'Digital Inequality': Studying Internet Use as Penetration Increases

Paul DiMaggio and Eszter Hargittai

14: American Identity and Public Opinion: How What it Means to be an American Influences Language Policy Preferences

Deborah Schildkraut

13: Zeus in Exile: Archaeological Restitution as Politics of Memory

Can Bilsel

12: Studies of Artists: An Annotated Directory

Donnell Butler and Paul DiMaggio

11: Public Attitudes Towards Cultural Authority and Cultural Diversity in Higher Education and the Arts

Paul DiMaggio and Bethany Bryson

10: Open Portals or Closed Gates? Channeling Content on the World Wide Web

Eszter Hargittai

9: Sustaining the Public Good Vision of the Internet: The Politics of Search Engines

Lucas Introna and Helen Nissenbaum

8: Unfamiliar Objects in Familiar Spaces: The Public Response to Art-in-Architecture

Steven Tepper

7: Public Opinion and Political Vulnerability: Why Has the National Endowment for the Arts Been Such an Attractive Target?

Becky Pettit and Paul DiMaggio

5: Public Sentiments Towards the Arts: A Critical Reanalysis of 13 Opinion Surveys

Becky Pettit and Paul DiMaggio

4: Making Sense of the Numbers: Estimating Arts Participation in America

Steven Tepper

2: Resources for Studying Public Participation in the Arts: Inventory and Review of Available Survey Data on North Americans' Participation in and Attitudes Towards the Arts

Becky Pettit and Paul DiMaggio

1: Data on Arts Organizations: A Review and Needs Assessment, with Design Implications

Deborah Kaple, Lori Morris, Ziggy Rivkin-Fish and Paul DiMaggio