Journal of Digital Media Management

2012 - 2025

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Volume 13, issue 3, 2025

Editorial pp. 204-205

Simon Beckett

A born-digital archiving model grounded in collaboration and automation pp. 206-224

Zachary Maiorana

Incremental implementation: A staged approach to introducing a new digital preservation management system pp. 225-233

Erin Baucom

Driving media innovation through collaborative artificial intelligence pp. 234-245

Alexandre Rouxel, Alberto Messina, Ivan Thomas and Tatjana Mladenovic

Digital asset management at a non-profit: The many layers of the White House Historical Association’s digital library pp. 246-258

Leslie Calderone and Alexandra Lane

Identifying the best web accessibility workflows for legacy archival description data pp. 259-266

Isobel R. S. Carnegie and Christina Cutler

Building a sustainable digital archive service to support news production with an African perspective: A case study of Newzroom Afrika Archives pp. 267-278

Lynn Johnson

Case study: Hybrid and born-digital processing at The New School pp. 279-290

Irene Gates

Digital solutions and process optimisation: A case study at a small university archive pp. 291-298

Emily Ping O’Brien and Arthur L. Carlson

Volume 13, issue 2, 2025

Editorial pp. 108-109

Simon Beckett

Metadata creation and enrichment using artificial intelligence at meemoo pp. 110-123

Bart Magnus, Matthias Priem, Nastasia Vanderperren, Peter Vanden Berghe, Ellen Van Keer and Rony Vissers

Increasing diffusion: Rediscovering the Smithsonian’s media collections through the Audiovisual Media Preservation Initiative pp. 124-145

Felicia Boretzky, Walter Forsberg, Siobhan Hagan, Kayla Henry-Griffin, Dan Hockstein, Alison Reppert Gerber and Brianna Toth

Driving digital asset management collaboration in a tri-agency tourism partnership pp. 146-157

Lynette Conlon

Gone in an Adobe Flash: Five new frameworks to preserve born-computational literary art for the future pp. 158-175

Ashley Champagne, Cody Carvel, E. Patrick Rashleigh, Khanh Vo, Hilary Wang and John Cayley

A stratified approach to contentoptimised digital video preservation pp. 176-186

Ben Harry

Collaboration in digitisation programmes for cost efficiencies and equitable access pp. 187-198

Bryan Benilous

Volume 13, issue 1, 2024

Editorial pp. 4-5

Simon Beckett

The AI digital asset management assistant: Testing GPT-4’s description and keyword tagging abilities on product imagery pp. 6-18

Jake Athey and Jacob Williamson

Beyond distribution: The critical role of content tracking pp. 19-27

Gregg Guest

Case study: The Österreichische Mediathek’s monitoring and analysing tool for digital archiving pp. 28-37

Marion Jaks

Building the Lands’ End digital asset management content hub pp. 38-43

Dale Meinholz

The preservation of high-definition video data at the USC Digital Repository: The Television Academy Foundation’s Interviews Collection pp. 44-58

Jenni Matz, Nicholas Camardo, Alan Auyeung, Jossel Franco, Erica Titkemeyer and Jenna Hymes

A gift to another age: Evaluating virtual machines for the preservation of video games at MoMA pp. 59-72

Kirk Mudle

Facilitating digitisation and reformatting via committee work pp. 73-101

Abby Beazer, Nicole A. Lewis, Ben Harry, Marissa Bischoff, Rebecca A. Wiederhold, Lindsey Memory and Michael Gates

Volume 12, issue 4, 2024

Editorial pp. 292-293

Simon Beckett

The restoration, preservation and mastering of the Lantz Cartoons pp. 294-307

Cassandra Moore

Charting the course: Essential elements of a digital asset management governance framework pp. 308-314

Jessica Berlin

Next steps after artificial intelligence pilot projects in the media archives at Yle, the Finnish Broadcasting Company pp. 315-328

Lauri Saarikoski

Storage and other considerations for enterprise digital asset management solutions pp. 329-337

Helen Hockx-Yu

The dilemmas of sharing: Five dilemmas when presenting the past to the present pp. 338-350

Nina Benedicte Fleischer and Anne Kirsten Bakke

Put a ruler in the shot: Lessons from implementing effective resolution for photographed materials pp. 351-361

Warner West and Barbara Laufersweiler

Case study: The Historic Media Collection at Seattle Art Museum pp. 362-372

Mia Ferm

Frontier justice: A case study in imaging 19th-century legal records pp. 373-380

Devrick Barnett and Larry Cebula

Volume 12, issue 3, 2024

Editorial pp. 196-197

Simon Beckett

Revitalising legacy video ingest workflow: A case study on cultivating a digital mindset and gaining key stakeholder buy-in to transition to a cloud-based media asset manager pp. 198-211

Rob Collins and Dominique Neff

Welcome to the purge: Digital records in an era of new limits pp. 212-219

Tyler G. Cline and Katie Causier Howell

DAM as a brand ambassador: How digital asset management can be a strong ally of brand strategy pp. 220-225

Kristin Burns

Case study: Accessioning and describing digital archival acquisitions using encoded archival description crosswalks pp. 226-237

Bo Doub

Through a glass darkly: Lessons from The Huntington Library, Art Museum, and Botanical Gardens digital asset management implementation pp. 238-249

Yvonne Lee and Mario Einaudi

Metadata remediation through migration, post-migration or necessary clean-up: A roadmap for success pp. 250-258

Jason Smith

Building the Black History and Visual Culture collection at Penn State University Libraries pp. 259-270

Bethann Rea, Patrice R. Green and Kevin Clair

Lehigh Libraries digital repositories migration: A case study pp. 271-283

Alex Japha

Volume 12, issue 2, 2023

Editorial pp. 100-101

Simon Beckett

Clearing the path for digital asset management: Removing obstacles to enhance user experience pp. 102-115

Amy Currans and Pauline Lopez

Empowering content search: Leveraging the potential of machine learning pp. 116-126

Meenakshi Jindal, Varun Sekhri and Tiffany Low

Transforming through digital asset management: The University of Southern California implementation pp. 127-142

Nina Damavandi

Media and entertainment metadata governance pp. 143-156

Richard W. Kroon and Cameron Crosby

From pixels to Python: When digital collections befriend artificial intelligence pp. 157-166

Rebecca Bakker and Molly Castro

Donor involvement in the packaging and transfer of born-digital material: A case study of the National Library of Ireland pp. 167-175

Kieran O’Leary

Digitising the Ian MacKaye digital collection of punk fanzines at the University of Maryland pp. 176-186

John R. Davis, Jessica H. Grimmer and Vincent J. Novara

Volume 12, issue 1, 2023

Editorial pp. 4-5

Simon Beckett

The Curricular Asset Warehouse at the University of Illinois: Case study of a digital archive’s sustainability pp. 6-21

Karin Hodgin Jones, Robyn Bianconi, Jimi Jones and Liam Moran

Digitising images from the first tests of HDTV in Europe: The 1992 Summer Olympic Games pp. 22-34

Isabel Sánchez and Etienne Marchand

Collection insight and interconnectivity through artificial intelligence image analysis: A collaboration with the National Archives of Estonia pp. 35-45

Hannah Storch

Diversity, equity and inclusion principles for custom taxonomies pp. 46-52

Sharon Mizota

The 6K restoration of Orson Welles’ Chimes at Midnight pp. 53-64

Michael Dawson, Scott Fritz, John Beckel, E. Leonard Rubin and Michael Matusek

Magnifying Gwendolyn Brooks: Creating a digital collection at the University of Illinois Library at Urbana-Champaign pp. 65-75

Ana D. Rodríguez, Kate M. Vasquez-Braun, Angela M. Waarala, Rachael Johns, Stephanie M. Luke and Ruthann E. Mowry

Making African Academic Resources Accessible at the University of Ghana: A sustainable collaborative project pp. 76-91

Judith Opoku-Boateng