An Iconological Analysis of Traditional Chinese Calligraphy: Examining Five Styles Through Panofsky’s Iconological Theory
YingFan Miao and
Yakup Bin Mohd Rafee1
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YingFan Miao: University Pendidikan Sultan Idris, University Pendidikan Sultan Idris
Yakup Bin Mohd Rafee1: University Pendidikan Sultan Idris, University Pendidikan Sultan Idris
International Journal of Research and Innovation in Social Science, 2025, vol. 9, issue 4, 1578-1590
Abstract:
This study applies Erwin Panofsky’s iconological framework to examine five major Chinese calligraphic styles through a Systematic Literature Review of sources from CNKI and Google Scholar. The analysis shows that existing research predominantly focuses on formal features and symbolic functions, aligning with pre-iconographic and iconographic levels, while deeper iconological interpretations remain limited. By identifying this gap, the study contributes a structured and interdisciplinary approach that expands current analytical models and supports more nuanced interpretations within Chinese calligraphy scholarship.
Date: 2025
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Persistent link: https://EconPapers.repec.org/RePEc:bcp:journl:v:9:y:2025:issue-4:p:1578-1590
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