Nature, Symbol, and Tradition: A Study of Motif Vocabulary in Balotra Block Prints of Rajasthan

Dr. Anjali Karolia and Ms. Jyoti Navlani
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Dr. Anjali Karolia: Retd Prof, Former Head & Dean, Department of Clothing & Textiles, Faculty of Family & Community Sciences, The Maharaja Sayajirao University of Baroda, India,
Ms. Jyoti Navlani: Assistant Professor, Chitkara Design School, Fashion Design Department, Chitkara University Rajpura, India,

International Journal of Research and Innovation in Social Science, 2025, vol. 9, issue 9, 6799-6809

Abstract: Rajasthan, despite being a desert state, has nurtured a rich and diverse range of textile traditions, encompassing printed, woven, and embroidered forms. Among these, cloth printing has acquired a distinctive prominence, deeply intertwined with the lives of dyer-craftsmen who sustain these practices. While Sanganer and Bagru are widely recognised centres of block printing, other towns such as Balotra, Barmer, Akola, and Pali also represent significant yet lesser-known traditions. Balotra, situated in the Barmer district and approximately 110 km southwest of Jodhpur, historically benefited from the river Luni. Once a lifeline for dyeing and washing textiles, the river is now dried and polluted due to unchecked industrial effluents, threatening both craft practices and ecological balance. This shift highlights the urgent need to address issues of environmental degradation as part of safeguarding craft heritage. The Chhipa community, who migrated from present-day Pakistan, established themselves in Balotra and became the primary custodians of block printing in the region. Their skills in dyeing and printing found a natural home here, supported by the resources once provided by the Luni river. The prints they produced were largely consumed by local communities such as the Chaudhary, Maali, and other agrarian groups of Balotra, who integrated these textiles into their daily and ritual attire. For the Chhipas, therefore, block printing was not only an economic pursuit but also a cultural identity, linking artisan and consumer through patterns embedded with symbolic meaning.

Date: 2025
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