Contemporary Global Noir in Post-Colonialism Trans-Cultural Communication

Liaoliao Wu
Additional contact information
Liaoliao Wu: University for the Creative Arts

Art and Society, 2023, vol. 2, issue 2, 24-31

Abstract: As globalisation intensifies, the world circulation approach of cinema becomes increasingly complicated. As a general concept, film noir not the exclusive domain of a particular nationality, this type of film is produced and distributed in different cultures and regions around the world. This research attempts to break the binary divisions of cultural studies and film criticism arising from post-colonialism, considering film noir as a worldwide film concept.

Keywords: globalisation; post-colonialism; cultural integration; nationality; film noir (search for similar items in EconPapers)
Date: 2023
References: Add references at CitEc
Citations:

Downloads: (external link)
https://www.paradigmpress.org/as/article/view/522/448 (text/html)

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:bdz:arasoc:v:2:y:2023:i:2:p:24-31

DOI: 10.56397/AS.2023.04.04

Access Statistics for this article

More articles in Art and Society from Paradigm Academic Press
Bibliographic data for series maintained by Editorial Office ().