Tradition Unveiled: A Comparative Exploration of Kelantan and Shaanxi Shadow Puppet Craftsmanship

Cheng Xiaochun and Musdi bin Hj. Shanat
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Cheng Xiaochun: Faculty of Applied and Creative Arts, Universiti Malaysia Sarawak, 94300 Kota Samarahan, MALAYSIA; Chongqing Technology and Business University, 400067 Chongqing, CHINA
Musdi bin Hj. Shanat: Faculty of Applied and Creative Arts, Universiti Malaysia Sarawak, 94300 Kota Samarahan, MALAYSIA

Art and Society, 2024, vol. 3, issue 3, 1-12

Abstract: This study intricately examines the craftsmanship of Kelantan, Malaysia, and Shaanxi, China’s shadow puppets, highlighting how their unique making processes contribute to distinct visual characteristics. Kelantan artisans meticulously treat cattle hide, emphasizing sunlight exposure for drying, intricate chiselling techniques, and vibrant coloration. In contrast, Shaanxi craftsmen employ a moist carving process, with detailed motifs influenced by traditional Chinese mural paintings. The comparative analysis exposes fundamental disparities: Kelantan emphasizes dry leather, producing flat colours and detailed chiselling, while Shaanxi relies on moist leather for vibrant, translucent hues. The study further explores variations in carving techniques and movable parts, providing insight into the rich cultural tapestry woven into the artistry of Kelantan and Shaanxi shadow puppet craftsmanship.

Keywords: shadow puppet craftsmanship; comparative analysis; Kelantan; Shaanxi (search for similar items in EconPapers)
Date: 2024
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Persistent link: https://EconPapers.repec.org/RePEc:bdz:arasoc:v:3:y:2024:i:3:p:1-12

DOI: 10.56397/AS.2024.06.01

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