The Construction of Religious Symbolic Spaces and the Generation of Psychological Fear in The Conjuring Series

Haruto Nakamura
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Haruto Nakamura: University of Osaka, Japan

Art and Society, 2024, vol. 3, issue 6, 8-17

Abstract: This paper explores the construction of religious symbolic spaces and their role in generating psychological fear in The Conjuring film series. By examining how sacred spaces, artifacts, and rituals are subverted, the study reveals how the series transforms symbols of faith into instruments of terror. The films’ intricate use of religious motifs, sound, and lighting amplifies the fear of the unseen, creating a visceral atmosphere that transcends conventional horror. Furthermore, theological undertones — such as the dichotomy of salvation and damnation and the fragility of faith — are analyzed to highlight the universal fears embedded in the series. This paper argues that The Conjuring is not merely a collection of supernatural horror stories but a profound exploration of humanity’s vulnerability, resilience, and confrontation with the unknown. By situating these themes within religious contexts, the series evokes a deep and lasting psychological impact, elevating its narratives beyond the genre’s standard fare.

Keywords: religious symbolic spaces; psychological fear; sacred symbols (search for similar items in EconPapers)
Date: 2024
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Persistent link: https://EconPapers.repec.org/RePEc:bdz:arasoc:v:3:y:2024:i:6:p:8-17

DOI: 10.56397/AS.2024.12.02

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