Writing on the Wall: Street Art in Graffiti‐free Singapore
T.C. Chang
International Journal of Urban and Regional Research, 2019, vol. 43, issue 6, 1046-1063
Abstract:
The legalization of graffiti in many cities has impacted urban landscapes and the way artists and the public view graffiti, street art and the city as well. This article considers the genesis, process and consequences of legal walls programmes firstly by introducing and differentiating the key terms ‘graffiti’, ‘street art’ and ‘legal walls’, then by examining an empirical case, that of Singapore. Renowned as a graffiti‐averse and litter‐free city, Singapore's recent about‐turn in legalizing illicit art forms illustrates changing government perspectives on creativity and legality in the country. Why the government has effected this change, how artists and members of the public have responded to it and the resultant art forms are critically explored. The conclusion reflects on four key lessons from Singapore for cities in general.
Date: 2019
References: Add references at CitEc
Citations: View citations in EconPapers (2)
Downloads: (external link)
https://doi.org/10.1111/1468-2427.12653
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:bla:ijurrs:v:43:y:2019:i:6:p:1046-1063
Ordering information: This journal article can be ordered from
http://www.blackwell ... bs.asp?ref=0309-1317
Access Statistics for this article
International Journal of Urban and Regional Research is currently edited by Alan Harding, Roger Keil and Jeremy Seekings
More articles in International Journal of Urban and Regional Research from Wiley Blackwell
Bibliographic data for series maintained by Wiley Content Delivery ().