Contenus culturels en ligne: culture de la gratuité et gratuité de la culture sont-elles synonymes ?
Pauline Amard
Regards croisés sur l'économie, 2022, vol. n° 30-31, issue 1, 123-128
Abstract:
Internet has revolutionized the production, dissemination and reception of cultural goods, in particular through lower production costs and free access to ever more numerous and diverse content. This box explores the different forms of free access and the underlying economic models developed by digital cultural players, in particular platforms and their pricing strategies.
Date: 2022
References: Add references at CitEc
Citations:
Downloads: (external link)
http://www.cairn.info/load_pdf.php?ID_ARTICLE=RCE_030_0123 (application/pdf)
http://www.cairn.info/revue-regards-croises-sur-l-economie-2022-1-page-123.htm (text/html)
restricted
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:cai:rcedec:rce_030_0123
Access Statistics for this article
More articles in Regards croisés sur l'économie from La Découverte
Bibliographic data for series maintained by Jean-Baptiste de Vathaire ().