Global fascism: geography, timing, support, and strategy
Tim Jacoby
Journal of Global History, 2016, vol. 11, issue 3, 451-472
Abstract:
This article considers four aspects for understanding the greatly over-used term ‘fascism’: its place in space and also in time, the basis of its social support, and its modus operandi. While agreement exists on where and when fascism reached its apogee, there is little concurrence of opinion over the extent to which the world wars were determinative in its birth and death, and how far beyond European boundaries it has ventured. There are also wide-ranging discussions concerning the identity and extent of its backers, with some writers pointing to the formative role of the lumpen body politic, or various class fractions, and others to that of an elite vanguard, or even individual alienation. A similar spectrum of opinion over the basis of fascism’s appeal extends from studies emphasizing, and elucidating, its ideational content to those that focus on the pragmatic value of action. Such a great diversity of analyses brings both considerable empirical richness and the challenge of fragmentation. This article responds by reflecting on fascism as both a social phenomenon and a field of study, in the hope of bringing some analytical structure to what remains a vast, and continuously developing, literature.
Date: 2016
References: Add references at CitEc
Citations:
Downloads: (external link)
https://www.cambridge.org/core/product/identifier/ ... type/journal_article link to article abstract page (text/html)
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:cup:jglhis:v:11:y:2016:i:03:p:451-472_00
Access Statistics for this article
More articles in Journal of Global History from Cambridge University Press Cambridge University Press, UPH, Shaftesbury Road, Cambridge CB2 8BS UK.
Bibliographic data for series maintained by Kirk Stebbing ().