 SYMMETRY AND SYMMETRICAL ORGANIZATION OF FORMS IN THE COMPOSITION OF THE CINEMATOGRAPHIC PICTUREFlorin Constantinescu
Annals of the University of Craiova for Journalism, Communication and Management, 2022, vol. 8, issue 1, 134-138 Abstract: The study of asymmetry in the perception and cognitive representation of the cinematographic image as an ideal object (art object) and of the aesthetic experiences it produces is probably one of the most controversial and debated contemporary research directions in this field. Although this topic has animated for millennia artists, philosophers, art critics, creators of photographic or cinematographic picture, as well as prominent researchers in various fields of Neuroscience, no firm solution has been established yet. The association often used in fine arts, but also in Mathematics, Physics or Biology, of symmetry, with what we currently call “beautiful”, has not been scientifically validated until now. Based solely on empirical observations, it inspired and spurred generations of creative artists that resorted to symmetry as a way of organizing compositional architectures. Keywords: symmetry; asymmetry; image composition; perception of symmetry; cinematographic image (search for similar items in EconPapers) Downloads: (external link) Related works: Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text Persistent link: https://EconPapers.repec.org/RePEc:edt:aucjcm:v:8:y:2022:i:1:p:134-138 Access Statistics for this article Annals of the University of Craiova for Journalism, Communication and Management is currently edited by Dan Valeriu Voinea More articles in Annals of the University of Craiova for Journalism, Communication and Management from Department of Communication, Journalism and Education Sciences, University of Craiova |
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