Experimenting on Film: Technology Meets Arts

Rui António, Bruno Mendes da Silva, João M.F. Rodrigues and Mirian Nogueira Tavares
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Rui António: CIAC-Research Centre for Arts and Communication, University of Algarve, Faro, Portugal
Bruno Mendes da Silva: CIAC-Research Centre for Arts and Communication, University of Algarve, Faro, Portugal
João M.F. Rodrigues: LARSyS, ISE, CIAC, University of Algarve, Faro, Portugal
Mirian Nogueira Tavares: CIAC-Research Centre for Arts and Communication, University of Algarve, Faro, Portugal

International Journal of Creative Interfaces and Computer Graphics (IJCICG), 2017, vol. 8, issue 1, 54-66

Abstract: Interactive films depend on the participation of viewers. This participation usually translates into making decisions that determine the sequence of the narrative. Many interactive films make use of an interaction design that reduces the viewer's immersiveness by interrupting the narrative to allow choices and the use of graphics to alert about decision points. This article describes how “Dialectical Polyptych” focuses on the possibility of creating an interactive aesthetic experience of filmic visualization without the interference of visual elements, allowing immersive participation with a transparent interface.

Date: 2017
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Persistent link: https://EconPapers.repec.org/RePEc:igg:jcicg0:v:8:y:2017:i:1:p:54-66

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International Journal of Creative Interfaces and Computer Graphics (IJCICG) is currently edited by Mehdi Khosrow-Pour

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