Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
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Volume 49, issue 3, 2025

Revising the canon: how Andy Warhol became the most important American modern artist pp. 381-406

David W. Galenson

No such thing as a free movie? Cross-country evidence on the potential impact of AVOD streaming services pp. 407-433

Jordi McKenzie, Paul Crosby, Alan Collins and Thorsten Chmura

The never-ending book: the role of new material and peer feedback in user-generated content production pp. 435-458

Maria Marchenko and Hendrik Sonnabend

The Hollywood gender gap: the role of action films pp. 459-485

John S. Heywood, Sofia Izquierdo Sanchez and Maria Navarro Paniagua

Voter mobilization with public cultural spending in small communities: evidence from Austria pp. 487-513

Jan Neumair

Passionately or reluctantly independent? Artistic and non-artistic self-employment compared pp. 515-545

Bas Bosma, Ellen Loots, Paul Stroet and Arjen Witteloostuijn

Misattribution stigma and contagion: How did the art auction market react to Australian “Black art scandals”? pp. 547-578

Erica Coslor and Tim R. L. Fry

Returns from rare coins: a machine learning approach pp. 579-601

Marti Sagarra, Laura Vici and Roberto Zanola

‘Do songs tell stories?’ An empirical analysis of the effect of emotional arcs on success in a national song contest pp. 603-637

Jürgen Rösch and Maxi-Josephine Rauch

The paradox of being unsold: hidden signaling value of bought-in in Korean art auction pp. 639-658

Seohyeon Hwang, Jiye Ryu and Kihoon Hong

Volume 49, issue 2, 2025

Talent and technology in creative industries: introduction to the special issue pp. 241-255

Ricard Gil, S. Abraham Ravid and Olav Sorenson

Beyond the big screen: secondary channel releases and their impact on the theatrical market pp. 257-280

Danielle Brennan, Kyle D. S. Maclean and Mercedes Sanchez

The reel deal? An experimental analysis of perception bias and AI film pitches pp. 281-300

Paul Crosby and Jordi McKenzie

Movie sentiment and home entertainment revenue pp. 301-326

Rahul Telang and Liron Sivan

Leveraging entrepreneurial identity and technology: legitimacy of art securitization platforms pp. 327-354

Jiaxin Liu, Boram Lee and Ruth Rentschler

Money in the air: art dealers and the making of a transatlantic market, 1880–1930 pp. 355-357

Federico Etro

Determinants of technical efficiencies of cultural enterprises in Togo pp. 359-379

Victor Nyatefe

Volume 49, issue 1, 2025

The labor market returns of being an artist: evidence from the United States, 2006–2021 pp. 1-21

Christos A. Makridis

Evaluating the quality of UNESCO World Heritage List: a comparison with the Baedeker’s guidebooks pp. 23-47

Martina Dattilo and Fabio Padovano

Identifying outlier scores and outlier jurors to reduce manipulation in classical music competitions pp. 49-98

Krzysztof Kontek and Kevin Kenner

The valuation of copies for Chinese artworks pp. 99-140

Kim Oosterlinck, Anne-Sophie Radermecker and Yuqing Song

Do public libraries help mitigate crime? Evidence from Kansas City, MO pp. 141-161

Amir Borges Ferreira Neto, Jennifer Nowicki and Shishir Shakya

Censorship of U.S. movies in China pp. 163-192

Xuhao(Harry) Pan, Tim Groseclose and Tyler Cowen

The impact of COVID-19 on cultural and arts activities: evidence from a large-scale micro-level survey in South Korea pp. 193-229

Seonho Shin

Economic valuation of becoming a superhero pp. 231-236

Julian J. Hwang and Dongso Lee

Natasha Degen: Merchants of style: art and fashion after Warhol pp. 237-240

Mariangela Lavanga

Volume 48, issue 4, 2024

Spatial dimensions of cultural economics pp. 497-498

Silvia Cerisola and Christiane Hellmanzik

The spatial dimensions of cultural consumption: how distance influences consumption levels in a spatial setting pp. 499-525

Lorenzo Biferale, Maria Giovanna Brandano, Alessandro Crociata and Hygor P. M. Melo

The countervailing effects of spatial competition in the performing arts: examining local versus traded market performance pp. 527-574

Richard Briesch, Ernan Haruvy, Glenn B. Voss and Zannie Giraud Voss

The impact of cultural amenities on inter-urban location: a discrete choice experiment on French students pp. 575-614

Olivier Mouate and Muriel Travers

Assessing complementarity and substitution effects of cultural events in rural communities: insights from a Mediterranean island pp. 615-644

Marta Meleddu and Manuela Pulina

Cashing in on culture: local employment effects from art and cultural district designation pp. 645-684

Gary A. Wagner and Javier E. Portillo

“Innovators” by David W. Galenson pp. 685-687

Riccardo Puglisi

Correction: Core functions, visitor friendliness and digitalisation: a comparative analysis of corporate museums’ performance pp. 689-690

Chiara Dalle Nogare and Monika Murzyn-Kupisz

Volume 48, issue 3, 2024

The “Bloomington Issue” pp. 335-337

Douglas Noonan and Federico Etro

Joke economics: the low profile of comedy in the economics of arts and culture pp. 339-346

Alan Collins

The values of cultural goods and cultural capital externalities: state of the art and future research prospects pp. 347-365

Trine Bille

Health insurance access and the career choices of college graduates with majors in the arts: evidence from the affordable care act’s dependent coverage expansion pp. 367-385

Richard J. Paulsen and Rajendra Dulal

Attracting new audiences to high culture: an analysis of live broadcasted performing arts at cinema theaters pp. 387-404

Fernanda Gutierrez-Navratil, Maria J. Perez-Villadoniga and Juan Prieto-Rodriguez

Core functions, visitor friendliness and digitalisation: a comparative analysis of corporate museums’ performance pp. 405-437

Chiara Dalle Nogare and Monika Murzyn-Kupisz

Rethinking royalties: alternative payment systems on music streaming platforms pp. 439-462

Frederik Juul Jensen

Front row or backstage? Evidence on concert ticket preferences from a discrete choice experiment pp. 463-491

Dylan Thompson

The moral foundations of public funding for the arts. Michael Rushton. Palgrave MacMillan pp. 493-495

Samuel Cameron

Volume 48, issue 2, 2024

Why the Impressionists did not create Impressionism pp. 171-198

Liesbeth Strooper and Erwin Dekker

The impact of social media activities on theater demand pp. 199-220

Andrea Baldin, Trine Bille, Raghava Rao Mukkamala and Ravi Vatrapu

Originality, influence, and success: a model of creative style pp. 221-258

Karol Borowiecki and Caterina Adelaide Mauri

The global impact of public and private funding on cultural and economic movie success: evidence from German film funding pp. 259-283

Nicolas R. Weber, André Marchand and Reinhard E. Kunz

Preference formation in demand for live theatre pp. 285-310

David Throsby, John R. Severn and Katya Petetskaya

The rule of tome? Longer novels are more likely to win literary awards pp. 311-329

Féidhlim P. McGowan

Erwin Dekker and Valeria Morea: Realizing the values of art: making space for cultural civil society pp. 331-334

Jason Potts

Volume 48, issue 1, 2024

Intermediary liability and trade in follow-on innovation pp. 1-42

Alexander Cuntz and Matthias Sahli

Displacement and complementarity in the recorded music industry: evidence from France pp. 43-94

Marc Ivaldi, Ambre Nicolle, Frank Verboven and Jiekai Zhang

Student loan debt and the career choices of college graduates with majors in the arts pp. 95-115

Richard J. Paulsen

Foreign pop-culture and backlash: the case of non-fan K-pop Subreddits during the pandemic pp. 117-143

Byunghwan Son

For those about to rock… is stability a determinant of rock bands success? pp. 145-166

Etienne Farvaque

Arturo Cifuentes and Ventura Carlin: the worth of art. Financial tools for the art market. New York, Columbia University Press, 2023 pp. 167-170

Kim Oosterlinck