Sympoietic Art Practice in Co-expressive Re-worlding with Hegel’s “Vegetal Subject”
Lin Charlston and
David Charlston
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Lin Charlston: Manchester Metropolitan University, UK
David Charlston: University of Liverpool, UK
Journal of Posthumanism, 2021, vol. 1, issue 2, 153-166
Abstract:
“Sympoietic art practice”, construed as co-creative making-together-with plants, contributes to posthumanist discourse by forming cross-species partnerships which re-configure exploitative relations with plants. The posthumanist commitment of sympoietic practice to live equitably with the more-than-human world is inherently opposed to the tradition of anthropocentrism widely associated with Hegel’s idealization of reason and culture. But when Hegelian philosophy comingles with the radically different assumptions of sympoietic art practice in this exploratory paper, a co-expressive “worlding with plants” emerges. A transformative re-reading of Hegel’s Philosophy of Nature reveals that the English translators have smoothed away the vibrant concept of a “vegetal subject” explicitly used by Hegel in the original German. The resulting interpretive fissure makes space for a creative scrutiny of human exceptionalism, humanist and posthumanist conceptions of plant subjectivity and human-plant relations. Our transdisciplinary article concludes with a performative knitting together and composting of shreds of Hegelian text with vibrantly participative strands of living couch grass.
Keywords: Co-creativity; Hegel’s Philosophy of Nature; Plant-human relations, Plant subjectivity; Sympoietic art practice (search for similar items in EconPapers)
Date: 2021
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Persistent link: https://EconPapers.repec.org/RePEc:mig:jpjrnl:v:1:y:2021:i:2:p:153-166
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DOI: 10.33182/jp.v1i2.1326
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