Il teatro e i suoi pubblici

Antonio Taormina

Economia della Cultura, 2006, issue 2, 171-178

Abstract: The data available on performing arts tell us very little about the public (or - in a more correct way - «publics») and about the issues regarding cultural access within the field of performing arts. At the same time, the sector is currently facing a situation in which the role of public is absolutely central, on the one hand as a source of economic resources and on the other hand as the real objective of all the interventions carried out to support culture. It is then obvious the relevance of knowing public's expectations, characteristics and needs: the public demand in the performing arts sector is both a topic of academic studies as well as of market researches and it is studied considering the performing arts as part of cultural consumption in a wide sense and as one of the area of leisure time consumption.

Date: 2006
References: Add references at CitEc
Citations:

Downloads: (external link)
https://www.rivisteweb.it/download/article/10.1446/22573 (application/pdf)
https://www.rivisteweb.it/doi/10.1446/22573 (text/html)
Access to full text is restricted to subscribers

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:mul:jkrece:doi:10.1446/22573:y:2006:i:2:p:171-178

Access Statistics for this article

Economia della Cultura is currently edited by Paolo Leon

More articles in Economia della Cultura from Società editrice il Mulino
Bibliographic data for series maintained by ().