Contemporary in Italy: art regulatory developments and model to manage

Pierpaolo Forte

Economia della Cultura, 2014, issue 1, 5-18

Abstract: Contemporary art regulatory developments in recent years in Italy was apparently less rutilant than the measures which have affected other cultural phenomena. This paper analyzes the international documents which center on persons the cultural policies, and therefore assume that the purpose of the work on cultural products is their fruition. Because of the well known inadequacy of the «ministerial» model to manage cultural institutions, the frequent and impressive use of the foundation as a more flexible managing tool is not surprising. It would be important to discuss and have legislation calibrated for collaborative, unprofitable relationships. Finally, the paper examines the phenomenon of transparency, in search of legitimacy and preservation of reputation, and criticizes, even in terms of constitutional legitimacy, the mandatory gratuity of positions in cultural institutions.

Keywords: Contemporary Art; Protection; Fruition; Copyright; Cultural and Creative Industries; Transparency; Management of Cultural Intitutions. (search for similar items in EconPapers)
Date: 2014
References: Add references at CitEc
Citations:

Downloads: (external link)
https://www.rivisteweb.it/download/article/10.1446/77270 (application/pdf)
https://www.rivisteweb.it/doi/10.1446/77270 (text/html)
Access to full text is restricted to subscribers

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:mul:jkrece:doi:10.1446/77270:y:2014:i:1:p:5-18

Access Statistics for this article

Economia della Cultura is currently edited by Paolo Leon

More articles in Economia della Cultura from Società editrice il Mulino
Bibliographic data for series maintained by ().