 Bulgarian Film Industry: "Sun and Shadow" of the Transition. Markets, Policies, DeficitsBilyana Tomova ()
Nauchni trudove, 2014, issue 3, 199-233 Abstract: Object the present study is the Bulgarian film industry, the subject of the analysis are the crises in its genesis during the transition. The main research hypothesis is that crises have a form of market and non-market failures, and are a reflection of the specificity of the product, the national cinema market and cultural policy during the period under review. And part of the defects are a reflection of the global crises of the emergence of new business models related to digitalization. In the course of the study outlined the paradox in the Bulgarian film industry: a serious economic contribution of macro level (value added, employment, number of firms), in combination with the instability of micro producer companies and monopolized and integrating markets of distribution and exhibition. As a result-limited access of the audience and the low efficacy of film production. Output from this harrowing development through crises are transformations-transformations to new business models through new sectorial policies. Keywords: film industry; producer; capital resources; financial resources; legislative regulation; market and non-market failures; economic contribution; audience; cultural policy; new business model; crisis; transition. (search for similar items in EconPapers) Downloads: (external link) Related works: Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text Persistent link: https://EconPapers.repec.org/RePEc:nwe:natrud:y:2014:i:3:p:199-233 Access Statistics for this article More articles in Nauchni trudove from University of National and World Economy, Sofia, Bulgaria Contact information at EDIRC. |
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