Queer art in Vietnam: from closet to pride in two decades

Cristina Nualart
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Cristina Nualart: Department of Art History (Contemporary Art), Universidad Complutense de Madrid, Madrid, Spain

Palgrave Communications, 2016, vol. 2, issue 1, 1-10

Abstract: Abstract Male and female artists in Vietnam from the early 1990s to the new millennium have contributed art that gives visibility to non-normative lifestyles that go against the traditional values espoused by national rhetoric. This article explores some of the first manifestations of queer art in contemporary Vietnam, outlining a short history of artworks that may be considered “queer” because of their subject matter, irrespective of whether they were made by straight or queer identified artists. Many of these artworks are not made in traditional media, or they break conventions in the local artistic canon. Frequently they have performative characteristics, an art form that arose in Vietnam in the 1990s, the beginning of the timeframe explored here. Photography, another medium not long or firmly established, is also extensively employed. The narrative attends specifically to the dissidence, in content or format, of selected artworks and points to a correlation over time to an increased tolerance of homosexuality. This article is published as part of a thematic collection on gender studies.

Date: 2016
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DOI: 10.1057/palcomms.2016.9

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