Creating the Right ‘Vibe’: Emotional Labour and Musical Performance in the Recording Studio

Allan Watson and Jenna Ward
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Allan Watson: Department of Geography, Science Centre, Staffordshire University, Leek Road, Stoke-on-Trent, Staffordshire ST4 2DF, England
Jenna Ward: Leicester Business School, De Montfort University, The Gateway, Leicester LE1 9BH, England

Environment and Planning A, 2013, vol. 45, issue 12, 2904-2918

Abstract: Recording studios are distinctive spaces in which artists are encouraged to expose their emotional selves in intimate moments of musical creativity and performance. In this paper we focus on how music producers and recording engineers perform emotional labour as part of the performative engineering of this musical creativity and performance. Through emotional labour performances, producers and engineers create recording studios as emotional spaces, characterised by trust and tolerance . This is often referred to, by recording studio staff and musicians, as creating the right ‘vibe’. We highlight two forms of emotional labour as particularly pertinent to ‘creating the right vibe’: Emotional neutrality and empathetic emotional labour. Emotional labour performances help to reconstruct the recording studio as a space free of the social and feeling rules that otherwise shape our emotional landscape, and allow musicians to produce their desired musical performance.

Keywords: emotional labour; creativity; recording studio; music production; music performance; emotional space (search for similar items in EconPapers)
Date: 2013
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Citations: View citations in EconPapers (3)

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Persistent link: https://EconPapers.repec.org/RePEc:sae:envira:v:45:y:2013:i:12:p:2904-2918

DOI: 10.1068/a45619

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