The Future of Ruins: The Baroque Melancholy of Hashima

Carl Lavery, Deborah P Dixon and Lee Hassall
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Carl Lavery: Theatre, Film and Television, College of Arts, University of Glasgow, Gilmorehill Halls, 9 University Avenue, Glasgow G12 8QQ, Scotland
Deborah P Dixon: School of Geographical and Earth Sciences, University of Glasgow, East Quadrangle, University Avenue, Glasgow G12 8QQ, Scotland
Lee Hassall: Fine Art, Art and Science Building, University of Lincoln, Brayford Pool, Lincoln LN6 7TS, England

Environment and Planning A, 2014, vol. 46, issue 11, 2569-2584

Abstract: Here, we present an iteration of our theoretical/creative writing project Hashima , begun in 2012. The paper is a collaboration and draws on the different discourses, practices and sensibilities of a performance theorist, a geographer, and a visual artist. For us, Hashima, located off the coast of Nagasaki, Japan, and a former site of forced labor and intensive offshore coal-mining, is a provocation for experimentation. Hashima, exploited and abject, has offered itself, unsurprisingly, to the fetishistic gaze of artists, photographers urban explorers, and ruin enthusiasts. The logic here is to control representation, and to determine and fix the meaning of the island as always in reference to something else and elsewhere. Paradoxically, there is no sense of temporality or transformation in these representations of ruins; time has been stopped in an image. By contrast, we want to draw out the allegorical value of Hashima not as a site of loss, but as a baroque, blasted landscape of monstrous becomings that resists, and forefronts, this tendency to collapse history into nature. In the following, we introduce the island before turning to an exegesis of Walter Benjamin's writing on German baroque tragedy in order to demonstrate how representation itself becomes tainted through a material encounter with the baroque's two primary topoi , the ruin and the labyrinth. To do this, we finish with a creative narrative and two images illustrating our methodology.

Keywords: allegory; ruins; history; creative writing; experiment (search for similar items in EconPapers)
Date: 2014
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Persistent link: https://EconPapers.repec.org/RePEc:sae:envira:v:46:y:2014:i:11:p:2569-2584

DOI: 10.1068/a46179

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