Casting despots in Dutch drama

Manjusha Kuruppath
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Manjusha Kuruppath: Institute for History, University of Leiden

The Indian Economic & Social History Review, 2011, vol. 48, issue 2, 241-286

Abstract: By 1745, the Persian ruler Nadir Shah (also known as Tahmasp Quli Khan) had made a name for himself as a conqueror in Asia. In the same year, the Dutch playwright Frans van Steenwyk scripted a play titled Thamas Koelikan in Amsterdam. The play not only chose Nadir for protagonist, but also identified his conquest of Mughal India as the backdrop to the drama. Just as Van Steenwyk’s drama reflected the curiosity of his peers in Nadir Shah, another image of Asian rulers circulating in Europe at the same time also featured in the play—the image of the Oriental Despot. Although the theme of Oriental Despotism was a generic appli-cation to Asian rulers, the relationship of this label with Nadir Shah was more intimate. From the late eighteenth century onwards, any mention of Nadir Shah meant a reference to Oriental Despotism. This article analyses the nature of representation of Nadir Shah in Van Steenwyk’s Thamas Koelikan . It studies the means by which the notion of Oriental Despotism features in the play. It argues that the observations made in this regard should be seen in the light of the sources that the playwright employed in penning his play. This related closely to the world of the Dutch East India Company in South Asia.

Keywords: oriental despotism; literary orientalism; Dutch East India Company; information net-works; drama; Mughal; Nadir Shah; Frans van Steenwyk (search for similar items in EconPapers)
Date: 2011
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Persistent link: https://EconPapers.repec.org/RePEc:sae:indeco:v:48:y:2011:i:2:p:241-286

DOI: 10.1177/001946461104800204

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