Bearing Witness: Rape, Female Resistance, Male Authority and the Problems of Gender Representation in Popular Indian Cinema

Nira Gupta-Cassale
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Nira Gupta-Cassale: Department of English, and Director, Women's Studies Programme, Kean University, Union, New Jersey, USA

Indian Journal of Gender Studies, 2000, vol. 7, issue 2, 231-248

Abstract: Indian cinema in its preoccupation with rape shows a parallel between feminist resistance and nationalist resistance. While Mirch Masala (1985), set in pre-Independence rural India, is able to draw upon a mythology of nationalist resistance, which also, at the same time, 'sanctions and mediates the potentially subversive politics of female resistance', later films like Zakhmi Aurat (1988) and Damini (1993) qualify women's autonomous resistance by including male partners to witness, support and legitimise their actions. We conclude that in popular cinema 'the more radical the gesture of resistance, the more conservative the resolution'. All the same, as fanta sised reactions to rape enacted by women, they engage the politics of female resistance in ways that are relevant to our feminist understanding.

Date: 2000
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Persistent link: https://EconPapers.repec.org/RePEc:sae:indgen:v:7:y:2000:i:2:p:231-248

DOI: 10.1177/097152150000700206

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