European Music After 1945 as a Restricted Space of Enunciation

António Pinho Vargas

SAGE Open, 2012, vol. 2, issue 2, 2158244012446995

Abstract: In this article, starting from the contributions of Pierre-Michel Menger and some sociological concepts of Boaventura de Sousa Santos and other postcolonial authors, the author proposes an analysis of the new musical structures created after 1945 in the new music field in Europe as a construction regulated and dominated by the core countries, critically seen from the vantage point of observation of a peripheral and subaltern country of Europe.

Keywords: geoculture; geopolitics; new music after 1945; power; location of culture (search for similar items in EconPapers)
Date: 2012
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Persistent link: https://EconPapers.repec.org/RePEc:sae:sagope:v:2:y:2012:i:2:p:2158244012446995

DOI: 10.1177/2158244012446995

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