Creativity and Place in the Evolution of a Cultural Industry: the Case of Cirque du Soleil

Deborah Leslie () and Norma M. Rantisi ()
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Deborah Leslie: Department of Geography, University of Toronto, Sidney Smith Hall, 100 St George, Toronto, Ontario, M5S 3G3, Canada
Norma M. Rantisi: Department of Geography, Environment and Planning, Concordia University, Montreal, Quebec, Canada

Urban Studies, 2011, vol. 48, issue 9, 1771-1787

Abstract: The Cirque du Soleil, based in Montreal, is known internationally for its innovative form of circus production. Although a transnational company recruiting talent from around the world, it is argued that the Cirque's ability to innovate is underpinned by its historical and geographical situatedness in Montreal. Drawing on evolutionary economics, the paper examines the place-specific and path-dependent trajectory which has informed the emergence of the Cirque, focusing on how a series of latent synergies—including a vibrant tradition of street performance in Quebec, the lack of established circus conventions, and the strength of related cultural sectors in Montreal— gave rise to the Cirque. In addition, the paper explores the purposive role of the state in actualising some of these latent synergies.

Date: 2011
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Persistent link: https://EconPapers.repec.org/RePEc:sae:urbstu:v:48:y:2011:i:9:p:1771-1787

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