An empirical investigation of the Paramount antitrust case
Ricard Gil
Applied Economics, 2010, vol. 42, issue 2, 171-183
Abstract:
Production patterns in the US movie industry changed drastically between 1940 and 1960. During these decades, a major event took place: the Paramount antitrust case was resolved by the US Supreme Court in 1948. As a result, the five largest studios (MGM, Paramount, 20th Century Fox, Warner Brothers and RKO) were forced to vertically disintegrate and separate production and distribution from exhibition. The Supreme Court also banned these and three other studios (Columbia, Universal and United Artists) from using block booking as contractual practice. In this article, I examine how this antitrust ruling affected the movie industry.
Date: 2010
References: View references in EconPapers View complete reference list from CitEc
Citations: View citations in EconPapers (5)
Downloads: (external link)
http://www.tandfonline.com/doi/abs/10.1080/00036840701604404 (text/html)
Access to full text is restricted to subscribers.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:taf:applec:v:42:y:2010:i:2:p:171-183
Ordering information: This journal article can be ordered from
http://www.tandfonline.com/pricing/journal/RAEC20
DOI: 10.1080/00036840701604404
Access Statistics for this article
Applied Economics is currently edited by Anita Phillips
More articles in Applied Economics from Taylor & Francis Journals
Bibliographic data for series maintained by Chris Longhurst ().