Fixing Bhim Nagar: a new metonym for subaltern urbanism
Sangeeta Banerji
City, 2024, vol. 28, issue 1-2, 24-43
Abstract:
This article investigates the processes and politics of slum demolitions in the megacity of Mumbai. Scholars of subaltern urbanism have celebrated the political agency and entrepreneurial ability of the metonymic slums in Mumbai. This article argues instead that paying close attention to the dynamics of the lived realities within informal settlements directs us to the limits of ethnographic and archival imagination where fixers operating within the ‘para-legal’ are practicing a new subaltern urbanism, one that is attentive to the complexity of community within the metonymic slum. Through a detailed analysis of the practices of two fixers, this article shows how, by placing themselves at crucial nodes in the demolition and rehabilitation process, the fixers, on the one hand, were able to delay the displacement of residents; on the other, they created hierarchies in the distribution of resettlement benefits. Focusing on the quotidian practices of fixers operating within the demolished informal settlement brings forth a complicated and contradictory politics that ensure the existence of diverse non-privatized land tenures in the city.
Date: 2024
References: Add references at CitEc
Citations:
Downloads: (external link)
http://hdl.handle.net/10.1080/13604813.2024.2322784 (text/html)
Access to full text is restricted to subscribers.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:taf:cityxx:v:28:y:2024:i:1-2:p:24-43
Ordering information: This journal article can be ordered from
http://www.tandfonline.com/pricing/journal/CCIT20
DOI: 10.1080/13604813.2024.2322784
Access Statistics for this article
City is currently edited by Bob Catterall
More articles in City from Taylor & Francis Journals
Bibliographic data for series maintained by Chris Longhurst ().