New Frontiers of Profit and Risk: The Fourth Industrial Revolution’s Impact on Business and Human Rights
Changrok Soh and
Daniel Connolly
New Political Economy, 2021, vol. 26, issue 1, 168-185
Abstract:
The Fourth Industrial Revolution, characterised by the fusion of physical, digital, and biological technologies, will have profound social and economic consequences. But what impact will it have on human rights? This article critically interrogates key writings and speeches about the Fourth Industrial Revolution, which requires reading between the lines of technical, business, and policy-orientated materials that rarely address human rights explicitly. The findings are a mix of good and bad news. First, the traditional linkage between economic competition and violations of bodily integrity is weakening as new forms of profitability in tomorrow’s digital ecosystems require empowered and creative individuals. However, these celebratory visions of the profitable interpenetration of our bodies, hardware and virtual worlds has a dark side. The next-generation of human rights violations arising from transnational business activities will be increasingly subtle, diffuse, and sophisticated.
Date: 2021
References: Add references at CitEc
Citations: View citations in EconPapers (3)
Downloads: (external link)
http://hdl.handle.net/10.1080/13563467.2020.1723514 (text/html)
Access to full text is restricted to subscribers.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:taf:cnpexx:v:26:y:2021:i:1:p:168-185
Ordering information: This journal article can be ordered from
http://www.tandfonline.com/pricing/journal/cnpe20
DOI: 10.1080/13563467.2020.1723514
Access Statistics for this article
New Political Economy is currently edited by Professor Colin Hay
More articles in New Political Economy from Taylor & Francis Journals
Bibliographic data for series maintained by Chris Longhurst ().