Third-worldism: sensibility and ideology in Uruguay – from Third Position to the thought of Carlos Real de Azúa
Germán Esteban Alburquerque Fuschini
Third World Quarterly, 2015, vol. 36, issue 2, 306-321
Abstract:
This article examines the trajectory of the concepts ‘Third World’ and ‘Third-worldism’ in Uruguay, and attempts to prove that, although Third-worldism developed thoroughly as sensibility, it did not have the same success as ideology. The article examines authors and intellectual groups who reflected on the Third World, and especially on ‘tercerismo’ (Third Position) – understood as a set of ideas related to Third-worldism but not part of Third-worldism as such. It next explains the importance of the thought of Carlos Real de Azúa, identified as the main ideologist of Third-worldism in Uruguay. The research shows as a result that there was great concern about the Third World, especially in the 1960s and the 1970s, expressed in articles, reports and speeches, among others. Nevertheless, a full conceptualisation was never realised, except in the contribution made by Real de Azúa. The article concludes that, paradoxically, ‘tercerismo’ blocked the development of more elaborated third-worldist thought in Uruguay.
Date: 2015
References: Add references at CitEc
Citations:
Downloads: (external link)
http://hdl.handle.net/10.1080/01436597.2015.1013331 (text/html)
Access to full text is restricted to subscribers.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:taf:ctwqxx:v:36:y:2015:i:2:p:306-321
Ordering information: This journal article can be ordered from
http://www.tandfonline.com/pricing/journal/ctwq20
DOI: 10.1080/01436597.2015.1013331
Access Statistics for this article
Third World Quarterly is currently edited by Shahid Qadir
More articles in Third World Quarterly from Taylor & Francis Journals
Bibliographic data for series maintained by Chris Longhurst ().