Beyond the single story: ‘Global South’ polyphonies

Laura Trajber Waisbich, Supriya Roychoudhury and Sebastian Haug

Third World Quarterly, 2021, vol. 42, issue 9, 2086-2095

Abstract: With reference to Chimamanda Ngozie Adichie’s plea to move beyond the single story, we take the complexities of the ‘Global South’ meta category as a starting point to explore what abandoning the quest for neatness can look like. Building on the main arguments put forward across this volume, our contribution centres around questions of position(alitie)s and self-reflexivity to engage with the persistent ambivalences of the ‘Global South’. We reflect on the unease stemming from explicit and implicit claims connected to the ‘Global South’ category and discuss its fluidity and plurality across space and time. Ultimately, we suggest embracing the notion of polyphony for approaching the ‘Global South’. A focus on polyphonies allows us to connect specific meanings and their implications with a broader take on the inherent complexities of macro categories. Working with and through polyphonies also helps us to recognise and engage with the evolving agency behind different uses of the ‘Global South’.

Date: 2021
References: Add references at CitEc
Citations: View citations in EconPapers (1)

Downloads: (external link)
http://hdl.handle.net/10.1080/01436597.2021.1948832 (text/html)
Access to full text is restricted to subscribers.

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:taf:ctwqxx:v:42:y:2021:i:9:p:2086-2095

Ordering information: This journal article can be ordered from
http://www.tandfonline.com/pricing/journal/ctwq20

DOI: 10.1080/01436597.2021.1948832

Access Statistics for this article

Third World Quarterly is currently edited by Shahid Qadir

More articles in Third World Quarterly from Taylor & Francis Journals
Bibliographic data for series maintained by Chris Longhurst ().