The U.S.–China trade imbalance and the theory of free trade: debunking the currency manipulation argument
Isabella Weber and
Anwar Shaikh ()
International Review of Applied Economics, 2021, vol. 35, issue 3-4, 432-455
Abstract:
The U.S.–China trade imbalance is commonly attributed to a Chinese policy of currency manipulation. However, empirical studies failed to reach consensus on the RMB misalignment. We argue that this is not a consequence of poor measurement but of theory. At the most abstract level the conventional principle of comparative cost advantage suggests real exchange rates will adjust so as to balance trade. Therefore, the persistence of trade imbalances tends to be interpreted as arising from currency manipulation facilitated by foreign exchange interventions. By way of contrast, the absolute cost theory explains trade imbalances as the outcome of free trade among nations that have unequal real costs. We argue that a disparity in real costs is the root cause of the U.S.–China trade imbalance.
Date: 2021
References: Add references at CitEc
Citations: View citations in EconPapers (2)
Downloads: (external link)
http://hdl.handle.net/10.1080/02692171.2020.1814221 (text/html)
Access to full text is restricted to subscribers.
Related works:
Working Paper: The U.S.-China Trade Balance and the Theory of Free Trade: Debunking the Currency Manipulation Argument (2019) 
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:taf:irapec:v:35:y:2021:i:3-4:p:432-455
Ordering information: This journal article can be ordered from
http://www.tandfonline.com/pricing/journal/CIRA20
DOI: 10.1080/02692171.2020.1814221
Access Statistics for this article
International Review of Applied Economics is currently edited by Professor Malcolm Sawyer
More articles in International Review of Applied Economics from Taylor & Francis Journals
Bibliographic data for series maintained by Chris Longhurst ().