Platforms or flatforms? Insights from an auto-ethnographic account of a virtual cycling app
Franck Cochoy
Journal of Cultural Economy, 2025, vol. 18, issue 2, 175-193
Abstract:
This paper examines the flatform side of platforms: instead of looking at their abstract and global dimension (platforms as large infrastructures) on which platform studies mostly focus, it traces their local, material and experiential aspects (platforms as flat screen devices: ‘plat’ means ‘flat,’ in French). Based on a personal auto-ethnography of a virtual cycling platform, it suggests that flatforms clearly function as both matching and attaching devices. They do so by providing visual affordances that play with quantified self, qualified self and gamified self features. However, the paper also shows that the seductive power of platforms is challenged by surrounding elements, such as the user’s personal trajectory and the usage environment they create. To meet this challenge, platforms are engaged in a constant work of redesign aimed at attracting and retaining subscribers and their equipment, whatever their specificities.
Date: 2025
References: Add references at CitEc
Citations:
Downloads: (external link)
http://hdl.handle.net/10.1080/17530350.2024.2405816 (text/html)
Access to full text is restricted to subscribers.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:taf:jculte:v:18:y:2025:i:2:p:175-193
Ordering information: This journal article can be ordered from
http://www.tandfonline.com/pricing/journal/RJCE20
DOI: 10.1080/17530350.2024.2405816
Access Statistics for this article
Journal of Cultural Economy is currently edited by Michael Pryke, Joe Deville, Tony Bennett, Liz McFall and Melinda Cooper
More articles in Journal of Cultural Economy from Taylor & Francis Journals
Bibliographic data for series maintained by ().