The San Diego Chicano Movement and the Origins of Border Art

Ila Nicole Sheren

Journal of Borderlands Studies, 2018, vol. 33, issue 4, 513-527

Abstract: This article analyzes how the complex and often contradictory immigration politics of the 1970s Chicano movement led to the development of Border Art in the San Diego region. Chicano leader Herman Baca insisted upon the importance of resolving the immigration debate, but cast the question in terms of a global system of inequity. Artists of the movement were forced to mediate between presenting the public with visions of a borderless world and circumscribing a Chicano “nation” within the U.S. Southwest. San Diego’s Chicano Park murals betray this tension, and several of the artists involved would go on to found the first border art collective. Freed from the entanglements of Chicano politics and the burden of nationalism, “Border Art” could focus on human rights violations and economic inequality.

Date: 2018
References: Add references at CitEc
Citations:

Downloads: (external link)
http://hdl.handle.net/10.1080/08865655.2016.1238314 (text/html)
Access to full text is restricted to subscribers.

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:taf:rjbsxx:v:33:y:2018:i:4:p:513-527

Ordering information: This journal article can be ordered from
http://www.tandfonline.com/pricing/journal/rjbs20

DOI: 10.1080/08865655.2016.1238314

Access Statistics for this article

Journal of Borderlands Studies is currently edited by Emmanuel Brunet-Jailly, Henk van Houtum and Martin van der Velde

More articles in Journal of Borderlands Studies from Taylor & Francis Journals
Bibliographic data for series maintained by Chris Longhurst ().