 Historical consciousness and the consolidation of the opposition: uses of the history of revolution and dissent in Russian protest art, 2008–2012Nadezda Petrusenko Post-Soviet Affairs, 2024, vol. 40, issue 2, 88-104 Abstract: The protests against election fraud in Russia in winter 2011–2012 were the first in the post-Soviet period that were attended by a united opposition, and attracted hundreds of thousands of previously apolitical citizens. This article seeks to explain mass participation in the protests by focusing on uses of the history of revolution and dissent in Russian protest art. The article investigates whether a common historical consciousness, which could have made it possible to unify previously fragmented opposition and mobilize previously apolitical citizens, was manifested in protest artworks created by artists with differing political ideologies. The conclusion is that the official historical narrative promoted by the state – of a spiritual unity between a strong state and the people – was challenged and undermined by protest artists, who have characterized Russian history as a continuous struggle between an oppressive state and civil society. This finding indicates that a common historical consciousness was manifested in protest artworks. Date: 2024 Downloads: (external link) Related works: Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text Persistent link: https://EconPapers.repec.org/RePEc:taf:rpsaxx:v:40:y:2024:i:2:p:88-104 Ordering information: This journal article can be ordered from DOI: 10.1080/1060586X.2023.2270374 Access Statistics for this article Post-Soviet Affairs is currently edited by Timothy Frye More articles in Post-Soviet Affairs from Taylor & Francis Journals |
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