Creative Class, Creative Economy, and the Wisdom Society as a Solution to their Controversy
Murgaš František
Additional contact information
Murgaš František: Trenčianska univerzita Alexandra Dubčeka, Študentská 1, 911 50 Trenčín
Creative and Knowledge Society, 2011, vol. 1, issue 2, 120-140
Abstract:
The paper briefly introduces the notion of creativity, linking the concepts of creative class and the related creative economy that are considered by Florida (2002) and his followers as the driving force of the current social and economic development. The concept of creative economy and its quantification in form of the Creative Class Index 3T or the Euro-Creativity Index were submitted to strong critique.The critics overturn some key issues of the concept of creative class with an indication that the creative people give priority in choosing the work from the place; and there is no or almost nil correlation of a perceptual representation of the persons of homosexual orientation and the high-tech growth which confirms the opinion that the assertion about higher creativity of homosexual persons is a myth only. The purpose of the article is the examination of propriety of the concept of creative class and its quantification at one hand, and the rightfulness of their critique at the other. The analysis of the axiology of the concept of creative class is the method of examination. From point of view of axiology probably the most significant characteristic of the creative class is its accompanying destruction of thee social capital of creative people and it substitution of the creative capital. The rise of creative class takes place in parallel with the implosion of values at which basis our Jewish-Christian civilization is established. To this Florida expresses rather vague attitude by a statement that all socio-cultural changes that accompany the rise of the creative class will have no favorable impact on society.Florida (2009) labeled creativity as a basic human law, furthermore, he announced the need for a new live style in which the quality of life will increase and people become better men. The concept of creativity as an instrument of urban planning evolved into a left-liberal ideology with elements of social engineering that is the most important finding of the axiological analysis. The second finding is the need to accept the meaning of creativity. By implication of the two findings there arises a proposal for wisdom as a new driving force of social and economic development. The conclusion is the contribution is a requirement for formulation of the concept of wisdom society that is currently likely absent in the academic world, and the statement that if the West will not create the wisdom society, it will lose the raison d'être of its existence.
Keywords: creative class; creative economy; critique of creative class and creative economy; wisdom society (search for similar items in EconPapers)
Date: 2011
References: Add references at CitEc
Citations:
Downloads: (external link)
https://doi.org/10.2478/v10212-011-0013-5 (text/html)
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:vrs:crknos:v:1:y:2011:i:2:p:120-140:n:9
DOI: 10.2478/v10212-011-0013-5
Access Statistics for this article
Creative and Knowledge Society is currently edited by Jitka Kloudová
More articles in Creative and Knowledge Society from Sciendo
Bibliographic data for series maintained by Peter Golla ().