Handbook of Cultural and Creative Industries in China

Edited by Michael Keane

in Books from Edward Elgar Publishing

Abstract: China is at the crux of reforming, professionalising, and internationalising its cultural and creative industries. These industries are at the forefront of China’s move towards the status of a developed country. In this comprehensive Handbook, international experts including leading Mainland scholars examine the background to China’s cultural and creative industries as well as the challenges ahead. The chapters represent the cutting-edge of scholarship, setting out the future directions of culture, creativity and innovation in China. Combining interdisciplinary approaches with contemporary social and economic theory, the contributors examine developments in art, cultural tourism, urbanism, digital media, e-commerce, fashion and architectural design, publishing, film, television, animation, documentary, music and festivals.

Keywords: Business and Management; Social Policy and Sociology (search for similar items in EconPapers)
Date: 2016
ISBN: 9781782549857
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Chapters in this book:

Ch 1 Introduction , pp 1-12

Michael Keane

Ch 2 Doing Chinese cultural industries: a reflection on the Blue Book syndrome and remedy paradigm , pp 15-26

Zitong Qiu

Ch 3 The ten thousand things, the Chinese Dream and the creative cultural industries , pp 27-42

Michael Keane

Ch 4 The makers are coming! China’s long tail revolution , pp 43-63

Jing Wang

Ch 5 Balinghou and qilinghou: generational difference and creativity in China , pp 64-79

Bjarke Liboriussen

Ch 6 The artyficial paradise: municipal face-work in a Chinese boomtown , pp 80-96

Michael Alexander Ulfstjerne

Ch 7 Editor’s introduction , pp 99-104

Michael Keane

Ch 8 The cultural industries in China: a historical overview , pp 105-115

Xiaoming Zhang

Ch 9 The challenges of China’s culture ‘going to the world’ , pp 116-128

Wuwei Li

Ch 10 Chinese culture ‘going out’: an overview of government policies and an analysis of challenges and opportunities for international collaboration , pp 129-142

Huailiang Li

Ch 11 Ethnic cultural industries and the ‘one place, one product’ strategy , pp 143-152

Na Yi

Ch 12 Globalization and ethnic grounded cultural creativity in Yunnan , pp 153-166

Yan Li and Ying Huang

Ch 13 Cultural organizations in China: creating digital platforms for success , pp 167-180

Marina Guo

Ch 14 Editor’s introduction , pp 183-188

Michael Keane

Ch 15 The cultural governance of mass media in contemporary China , pp 189-206

Florian Schneider

Ch 16 The regionalization of co-production in the film industries of Hong Kong SAR and Mainland China , pp 207-225

Peichi Chung and Lianyuan Yi

Ch 17 Chinese transnational cinema and the collaborative tilt toward South Korea , pp 226-244

Brian Yecies

Ch 18 Chinese documentary: towards commercialization , pp 245-258

Yingchi Chu

Ch 19 The urban-rural divide in China’s cultural industries: the case of Chinese radio , pp 259-275

Wei Lei, Lauren Gorfinkel and Wanning Sun

Ch 20 Animation industry in China: managed creativity or state discourse? , pp 276-292

Anthony Y.-H. Fung and Vicky Ho

Ch 21 From ‘Nothing to My Name’ to ‘I Am a Singer’: market, capital, and politics in the Chinese music industry , pp 293-310

Qian Wang and Jeroen de Kloet

Ch 22 China’s self-help industry: American(ized) life advice in China , pp 311-328

Eric C. Hendriks

Ch 23 Editor’s introduction , pp 331-338

Michael Keane

Ch 24 Copyright in China’s digital cultural industries , pp 339-359

Lucy Montgomery and Eric Priest

Ch 25 Commercial and digital transformation of Chinese television , pp 360-376

Ruoyun Bai

Ch 26 Between sustaining and disruptive innovation: China’s digital publishing industry in the age of mobile Internet , pp 377-395

Xiang Ren

Ch 27 Getting connected in China: taming the mobile screen , pp 396-411

Elaine Jing Zhao

Ch 28 The e-commerce revolution: ensuring trust and consumer rights in China , pp 412-430

Ming Cheung

Ch 29 Elderly people and the Internet: a demographic reconsideration , pp 431-444

Huan Wu

Ch 30 Editor’s introduction , pp 447-451

Michael Keane

Ch 31 Between contemporary and traditional: the ongoing search for a Chinese architectural identity , pp 452-467

Christiane M. Herr

Ch 32 Chinese fashion designers: rebuilding from the centre of the world , pp 468-483

Tim Lindgren

Ch 33 Spectacles, showcases, marketplaces (and even public spheres): Chinese film festivals as cultural industries , pp 484-505

Ran Ma and Cindy Hing-Yuk Wong

Ch 34 Who is the knowledge gatekeeper in the creative cluster? A case study of Guangdong Industrial Design City , pp 506-518

Juncheng Dai and Michael Keane

Ch 35 A comparative perspective on the industrialization of art in the Republican period in Shanghai and today’s creative industry clusters , pp 519-532

Jane Zheng

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