Digital Art: Blowing Zen in the City

Melissa D. Milton-Smith

Chapter 9.2 in Emerging Digital Spaces in Contemporary Society, 2010, pp 221-222 from Palgrave Macmillan

Abstract: Abstract In the new millennium digital artists have questioned the nature of human existence in complex spaces like the city. Themes of connection and alienation pervade digital art works, in the spirit of the times (Tofts 2005). In this case study I will discuss how digital art operates as powerful platform of articulation. With reference to Nebojsa Seric Shoba’s film BlowingZen (2003), I will explore a digital reconstruction of New York City’s Times Square.

Keywords: Complex Space; Emotional Content; Human Existence; Horrific Event; Digital Space (search for similar items in EconPapers)
Date: 2010
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Persistent link: https://EconPapers.repec.org/RePEc:pal:palchp:978-0-230-29904-7_36

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DOI: 10.1057/9780230299047_36

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