On Memories and Rehabilitation
Aisling Tuite ()
Additional contact information
Aisling Tuite: Waterford Institute of Technology
Chapter Chapter 6 in The Lost Art of Banking, 2019, pp 109-132 from Palgrave Macmillan
Abstract:
Abstract In this concluding chapter the concept of work as a performance is explored. Performances can be unmasked, as happened when the GFC descended. Performances are also linked to the wellbeing of workers as they try to negotiate their way in ambiguous circumstances. But what happens when these performances come to be questioned? For the workers they reflect and become nostalgic about what was good in the bank. They have feelings of litost that can be dispelled only through identifying what was good about the traditional Bank. This allows the identification of the lost art of banking, the values that they hold most dear. In summing up the book the argument turns towards recreating strong organisational boundaries and workers who emulate the apprentice-style of old, those that can form strong moral and social bonds to lead the banks of the future. These banks should look to these values and consider their utility and service to their customers over their need to perpetuate the profit imperative.
Keywords: Performance; Nostalgia; Regret; Litost; Memory; Rehabilitation (search for similar items in EconPapers)
Date: 2019
References: Add references at CitEc
Citations:
There are no downloads for this item, see the EconPapers FAQ for hints about obtaining it.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:pal:pmschp:978-3-030-12199-0_6
Ordering information: This item can be ordered from
http://www.palgrave.com/9783030121990
DOI: 10.1007/978-3-030-12199-0_6
Access Statistics for this chapter
More chapters in Palgrave Macmillan Studies in Banking and Financial Institutions from Palgrave Macmillan
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().