Authorship (AI’s Version?)

Amal Benakcha () and Chaib Mohamed Toufik ()
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Amal Benakcha: University of Biskra, Department of Law, faculty of law and political science, Laboratory of Rights and Freedoms in Comparative Legal Systems
Chaib Mohamed Toufik: University of Biskra, Department of Law, faculty of Law and political Science, Laboratory of Rights and Freedoms in Comparative Legal Systems

A chapter in Proceedings of the International Conference on Artificial Intelligence Applications in Business Administration in MENA Region (ICAIABA 2026), 2026, pp 53-63 from Springer

Abstract: Abstract This paper examines, who owns authorship rights, humans or AI? based on theoretical prospective and on legal cases studies, by reading between the legal’s lines of authorship in this digital age. The last few years, we’ve stepped into a brand-new era, which called “Artificial Intelligence” this new term that we can name “the nonhuman intelligence” has taken over mostly everywhere in our daily basic life, and to be more factual, the right term to use is “the age of hybrid creativity”, and that’s because the huge rapid capacity of AI in producing, diverse creative content, such as generate literary, artistic and even scientific works, and so many other creative works. making a global impact that scripted into our minds. This brand-new thing created a new conventional, fragmented legal issue, in international landscape in re-defining authorship, by rewriting the whole concept of it. If we look into the meaning of this one, we will find that AI challenges the foundation of original work, and copyrightability because the traditional idea of an author and human intellectual as the natural person who create it, but with AI this led to various prospectives on who should be credited.

Keywords: Artificial Intelligence; Authorship; Intellectual Property; Originality; Copyrights Law; collaborative creativity (search for similar items in EconPapers)
Date: 2026
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DOI: 10.2991/978-94-6239-711-8_7

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