Towards a Comparative Economic History of Cinema, 1930–1970

Edited by John Sedgwick ()

in Frontiers in Economic History from Springer, currently edited by Diebolt, Claude and Haupert, Michael

Date: 2022
ISBN: 978-3-031-05770-0
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Chapters in this book:

Correction to: Film Exhibition, Distribution and Popularity in German-Occupied Belgium (1940–1944): Brussels, Antwerp and Liege

Roel Vande Winkel and John Sedgwick

Introduction: ‘Millions of People Every Day’—Cinema as Part of the Quotidian of Life

John Sedgwick

Managing Risk in the Film Business—Key Concepts and Methods

John Sedgwick

How Did the Department of Justice Get It so Wrong? Philadelphia 1935–1936: The Stanley Warner Chain, Competitive Practices and Consumer Welfare

F. Andrew Hanssen and John Sedgwick

Comparative Film Popularity in Three English Cities—Bolton, Brighton, and Portsmouth: An Exercise in POPSTAT Methodology

John Sedgwick

Popular Films in Stockholm During the 1930s: A Presentation and Discussion of the Pioneering Work of Leif Furhammar

Åsa Jernudd and John Sedgwick

Dutch Films in the Mid-1930s Dutch Market: A Characteristics Approach to Film Popularity

Clara Pafort Overduin

Unravelling Australia’s ‘Infamous “Contract” System’: Evidence from Adelaide, 1942–1943

Dylan Walker and Mike Walsh

Film Exhibition, Distribution and Popularity in German-Occupied Belgium (1940–1944): Brussels, Antwerp and Liege

Roel Vande Winkel and John Sedgwick

Five Italian Cities: Comparative Analysis of Cinema Types, Film Circulation and Relative Popularity in the Mid-1950s

Daniela Treveri Gennari and John Sedgwick

Cinemagoers Should ‘…learn from progressive movies, again and again’. Cinemagoing in Czechoslovakia, 1949–1952

Pavel Skopal, Terézia Porubčanská and John Sedgwick

It Seems to Me that the Most Popular Films in the West Are Very Harmful to Us’: Film Popularity in Poland During the years of ‘High Stalinisation

Konrad Klejsa and John Sedgwick

Americanisation in Reverse? Hollywood Films, International Influences, and US Audiences, 1946–1965

Peter Miskell

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DOI: 10.1007/978-3-031-05770-0

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