Conclusions: Music as an Economic, Social, Cultural, Creative and Resilient Activity
María de-Miguel-Molina () and
Virginia Santamarina-Campos
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María de-Miguel-Molina: Universitat Politècnica de València
Virginia Santamarina-Campos: Universitat Politècnica de València
A chapter in Music as Intangible Cultural Heritage, 2021, pp 139-144 from Springer
Abstract:
Abstract Music, like many cultural and creative industries, can be analysed from symbolic, political and economic dimensions. It is a vibrant, highly resilient sector that has continued to evolve over time from prehistory to the present. Moreover, the music industry has developed in lockstep with technology, creating fascinating business models since the inception of the Internet, forcing companies and artists to adapt continuously to the new environment. This is also related to music customers, who change their preferences as new genres and trends appear. Governments are well aware of the opportunities that music affords to local development and have created public policies that boost the sector. On the other hand, music has also proved its educational role, and its function as an identity builder, especially in local environments where music is present in many festivities in the shape of bands. Mediterranean locations have a rich tradition in this type of musical societies and groups which create a collective identity that is transmitted from one generation to the next. Finally, music has not been immune to the crisis caused by the pandemic, though it has once again shown resilience in this respect, adapting rapidly to the new economic, societal and educational challenges that are currently affecting the entire world.
Keywords: Music; Cultural and creative industries; Identity; Resilience (search for similar items in EconPapers)
Date: 2021
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Persistent link: https://EconPapers.repec.org/RePEc:spr:spbchp:978-3-030-76882-9_9
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DOI: 10.1007/978-3-030-76882-9_9
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