Software Tools and Hardware Options

Guerino Mazzola, Jason Noer, Yan Pang, Shuhui Yao, Jay Afrisando, Christopher Rochester and William Neace
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Guerino Mazzola: School of Music, University of Minnesota
Jason Noer: University of Minnesota, Department of Theatre Arts & Dance
Yan Pang: University of Minnesota, Department of Theatre Arts & Dance
Shuhui Yao: School of Music, University of Minnesota
Jay Afrisando: School of Music, University of Minnesota
Christopher Rochester: School of Music, University of Minnesota
William Neace: School of Music, University of Minnesota

Chapter Chapter 6 in The Future of Music, 2020, pp 35-80 from Springer

Abstract: Abstract With the advent of recording and playback, the role of tools in the process of composing continues to grow its importance. Modern composing tools are not limited to the instant feedback of sound, but also have a great boost in visual aid. As for whether the future hardware and software can go beyond the physical level, for example, providing composers with psychological analysis etc., it is still a remaining question. But today’s tools have been able to provide strong support in composition, analysis, (improvisation) performance, notation, and education. We discuss some of these tools together with their impact on musical creativity. Hardware for music is increasingly powerful for storage and processing purposes. We discuss this vector for its role in musical productivity.

Date: 2020
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DOI: 10.1007/978-3-030-39709-8_6

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