Joseph Haydn and Wolfgang Amadeus Mozart: A Collusive Friendship
Thomas Baumert ()
Additional contact information
Thomas Baumert: Complutense University of Madrid
Chapter Chapter 3 in On Music, Money and Markets, 2023, pp 45-68 from Springer
Abstract:
Abstract Joseph Haydn and Wolfgang Amadeus Mozart—who considered themselves friends—rank among the most important classical composers of all times. The present chapter studies the evolution of their finances, considering both their incomes and expenditures. And while incomes did not differ too much between both musicians, expenditures did so greatly. Haydn, who opted for a comfortable yet not luxurious lifestyle, was always keen to save money and to have his expenses covered by his employers. Mozart, on the other hand, opted for the lavish lifestyle of Vienna’s upper class, which he could not finance after the outbreak of the war in 1787, forcing him to beg for short time loans to cover his debts. Yet, shortly before his death, his incomes shoot up again—only too late. Haydn for his part, also took advantage of the growing music publishing business and of two “tours” to England, from which he gained enormous net benefits.
Date: 2023
References: Add references at CitEc
Citations:
There are no downloads for this item, see the EconPapers FAQ for hints about obtaining it.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:spr:sprchp:978-3-031-43226-2_3
Ordering information: This item can be ordered from
http://www.springer.com/9783031432262
DOI: 10.1007/978-3-031-43226-2_3
Access Statistics for this chapter
More chapters in Springer Books from Springer
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().