Producing Music
Christie Byun ()
Additional contact information
Christie Byun: Wabash College
Chapter Chapter 3 in The Economics of the Popular Music Industry, 2024, pp 99-171 from Springer
Abstract:
Abstract This section covers basic producer theory, including cost curves and the firm’s profit maximizing decision rule for production. The types of market structures that will be discussed are perfect competition, monopoly, and oligopoly. The music industry is an oligopoly in that there are a handful of large firms that control a majority of the market. There are several barriers to entry that enable these firms to maintain persistent economic profits, namely ownership of intellectual property, high startup costs, and economies of scale. There are also game theoretic implications for the firms in the oligopoly market structure and basic games of strategy (Prisoner’s Dilemma and the Cournot Model) will be discussed. A thorough grounding in producer theory is necessary to understand the production of music in physical formats like CDs or LPs, and digital formats like digital files or streaming.
Date: 2024
References: Add references at CitEc
Citations:
There are no downloads for this item, see the EconPapers FAQ for hints about obtaining it.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:spr:sprchp:978-3-031-49899-2_3
Ordering information: This item can be ordered from
http://www.springer.com/9783031498992
DOI: 10.1007/978-3-031-49899-2_3
Access Statistics for this chapter
More chapters in Springer Books from Springer
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().