Science Fiction, Art, and the Fourth Dimension
Linda Dalrymple Henderson
Additional contact information
Linda Dalrymple Henderson: Texas University, Department of Art and Art History
A chapter in Imagine Math 3, 2015, pp 69-84 from Springer
Abstract:
Abstract The notion of a higher geometrical dimension, “the fourth dimension of space,” has been a vital stimulus for both writers of science fiction and artists since the late nineteenth and early twentieth century. Indeed, it was science fiction writers like H. G. Wells who first responded to the new popular interest in the fourth dimension, over a decade before artists began to engage the idea. And before that, both E. A. Abbott’s Flatland of 1884 and the “Scientific Romances” of hyperspace philosopher Charles Howard Hinton, published in the mid-1880s and mid-1890s, contributed significantly to the popularization of the idea of higher spatial dimensions. This essay explores the usages of the spatial fourth dimension by wells and subsequent science fiction writers as well as cubist painters and the artist Robert Smithson.
Keywords: Science Fiction; Fourth Dimension; Spatial Fourth Dimension; Block Universe; Twisted Cube (search for similar items in EconPapers)
Date: 2015
References: Add references at CitEc
Citations:
There are no downloads for this item, see the EconPapers FAQ for hints about obtaining it.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:spr:sprchp:978-3-319-01231-5_7
Ordering information: This item can be ordered from
http://www.springer.com/9783319012315
DOI: 10.1007/978-3-319-01231-5_7
Access Statistics for this chapter
More chapters in Springer Books from Springer
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().