Des Versions au riddim. Comment la reprise est devenue le principe de création musicale en Jamaïque (1967-1985)

Thomas Vendryes

Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) from HAL

Date: 2010-05-15
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Published in Volume ! La revue des musiques populaires, 2010, 7 (1), pp.191-222. ⟨10.4000/volume.1048⟩

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Working Paper: Des Versions au riddim. Comment la reprise est devenue le principe de création musicale en Jamaïque (1967-1985) (2010)
Working Paper: Des Versions au riddim. Comment la reprise est devenue le principe de création musicale en Jamaïque (1967-1985) (2010)
Working Paper: Des Versions au riddim. Comment la reprise est devenue le principe de création musicale en Jamaïque (1967-1985) (2010)
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Persistent link: https://EconPapers.repec.org/RePEc:hal:cesptp:hal-04252919

DOI: 10.4000/volume.1048

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