L'industrie de la musique à l'âge Internet

Pierre-Jean Benghozi () and Thomas Paris ()
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Pierre-Jean Benghozi: CRG - Centre de recherche en gestion - X - École polytechnique - IP Paris - Institut Polytechnique de Paris - CNRS - Centre National de la Recherche Scientifique
Thomas Paris: CRG - Centre de recherche en gestion - X - École polytechnique - IP Paris - Institut Polytechnique de Paris - CNRS - Centre National de la Recherche Scientifique

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Abstract: E-commerce generates specific market organizations of industrial activities. New economic business models and organisational patterns are not simply transfering designs conceived in traditional industries. Analyzing the case of music industry, we argue that the emerging of radically new market structures (portals, electronic market places, communities) has created original economic transactions (payment, contracts, investment process), incented new entrants to take place into cultural industries and heavily transformed competition and firms positions in the added value chain of music production and distribution. Consuming music on the internet leads to consumers differenciation, market disruption, splitting of payment rules and distribution channels.

Keywords: droit d'auteur; internet; musique; napster; industries culturelles; distribution industrielle; évolution de la structure de marché; industries créatives; modèles d'affaires (search for similar items in EconPapers)
Date: 2001
Note: View the original document on HAL open archive server: https://hal.science/hal-00262497v1
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Published in Gestion 2000, 2001, 2, pp.41-60

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Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-00262497

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