Des industries culturelles aux industries créatives: un changement de paradigme salutaire ?

Thomas Paris ()
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Thomas Paris: GREGH - Groupement de Recherche et d'Etudes en Gestion à HEC - HEC Paris - Ecole des Hautes Etudes Commerciales - CNRS - Centre National de la Recherche Scientifique

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Abstract: Public support towards cultural industries (movie, music, publishing) raises renewed issues. It is due on the one hand to a new context, defined by globalization, digitalization and ICT and liberalization. On the other hand, whereas public support is an accepted idea in these industries, the pernicious effects it involves makes it harder to legitimate. The paper focuses on the case of the French movie industry. It shows that public policies in this industry are carried into an inflationist spiral, and that their results can't legitimate ex post. To cope with this aporia of public policies in cultural industries, the paper proposes to back it up on a renewed theoretical corpus, which includes the concepts of creative industry and information economy.

Keywords: creative industries; cultural diversity; movie industry; public policies; paradigm; policies (search for similar items in EconPapers)
Date: 2010
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Published in Tic&société, 2010, 4 (2), pp.6-28

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Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-00579166

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