 Innovation and Selection: Symphony Orchestras and the Construction of the Musical Canon in the United States (1879-1959)Pierre-Antoine Kremp
Post-Print from HAL Abstract: This article analyzes the determinants of innovation and success of innovation in the field of U.S. symphony orchestras from 1879 through 1959: why did major orchestras (N = 27) innovate by introducing works of new composers to the repertoire instead of sticking to canonical pieces? Can organizational processes account for the selection and the popularization of new composers in the repertoire? By integrating field theory and organizational theory, this analysis shows that orchestra and musical director consecration and local elite cohesiveness favored innovative programming. Composers introduced by consecrated actors and entering the repertoire at a time of low competition with established composers and high field-level innovation were more likely to survive in the repertoire and have their works performed frequently. These effects became magnified throughout composers' careers. Keywords: Innovation; Selection; Symphony Orchestras and the Construction; Musical Canon; United States (search for similar items in EconPapers) Published in Social Forces, 2010, 88 (3), pp.1051-1082. ⟨10.1353/sof.0.0314⟩ There are no downloads for this item, see the EconPapers FAQ for hints about obtaining it. Related works: Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-00804031 DOI: 10.1353/sof.0.0314 Access Statistics for this paper More papers in Post-Print from HAL |
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